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布萊希特的史詩劇場與中國平劇在表演「疏離」美學方面之比較

To Be and Not to Be: The Aesthetics of "Alienation Effect" in Brechtian Epic Acting and Chinese Acting

參考文獻


Bishop, Philip E.(1986).Brecht, Hegel, Lacan: Brecht's Theory of Gest and the Problem of the Subject.Studies in Twentieth Century Literature.10(2),267-288.
BertoltBrecht,Brecht(1964).Brecht on Theatre: The Development of an Aesthetics.
Chang, Kuo-Cheng(1987).Tan Chian Review.
Harrop, John(1982).Acting with Style.
Hayman, Ronald(1983).Brecht: A Biography.

被引用紀錄


潘煇仁(2009)。高行健劇作中的狂歡形象: 以《週末四重奏》、《八月雪》與《叩問死亡》為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2009.01147

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