世俗．陷溺．歷史魅影：王家衛電影《東邪西毒終極版》到《一代宗師》的去政治化書寫

Secular Trend, Self-indulgence, and the Shadow of History: Kar-Wai, Wong's Describing skills on movies to Depoliticize, from Ashes of Time Redux to The Grandmaster

何寶籃(Pao-Lan Ho)

《復興崗學報》 106期 (2015/06) Pp. 201-217

摘要

本文從歷史寓言角度，透過武俠電影《東邪西毒終極版》（Ashes of Time Redux）與《一代宗師》（The Grandmaster），以「世俗」、「陷溺」與「歷史魅影」三個概念探討王式武俠電 影的重要特色，其中那些世俗化的武俠的形象，武林的多重樣態與無處不是，揭開的不僅是被嵌入的香港歷史脈絡，更重要的是以去政治化的手段反複追問主體的可能性。

關鍵字

王家衛電影 ； 主體 ； 武俠 ； 去政治化

並列摘要

This paper centered upon both history and parable. By analyzing the movies ＂Ashes of Time Redux and The Grandmaster＂, the paper focused on three main points, that is, the ＂secular trend＂, ＂selfindulgence＂ and ＂the shadow of history＂, with each making a deep exploration into Wong's special type of martial art. The Chinese knight is always a symbol of justice and fairness within the mundane minds of common people, while the impact of the use and study of martial art within various societies is unmeasurable. To sum up, this paper not only revealed the historic process in Hong Kong, but also emphasized the possibilities of questioning the mainstay by using a method of depoliticizing in the films.

並列關鍵字

Kar-Wei ； Wong movies ； subject ； martial art ； depoliticize