古希臘悲劇臺灣劇場演出的記號學探討－從台南人《安第剛妮》的台語詮釋演出說起

A Semiotic Analysis on the Representation of Ancient Greek Tragedy in Taiwan Theatre-A Departure from a Taiwanese Performance of the Tainanjen's 'Antigone'

林國源(Kuo-Yuan Lin)

《藝術評論》 13期 (2003/12) Pp. 195-210

摘要

本文從劇場記號學的劇場動作理論記敘並分析古希臘悲劇《安第剛妮》的兩個台灣劇場演出。
導論部分引介了維楚斯基與洪佐所倡導的劇場記號的辯証性格與可轉換性，並提點「劇場動作為劇場藝術的本質」的理論淵源。
對台南人劇團所演《安第剛妮》，本文提敘其「完整製作」並「忠於原劇」的大戲演出的立意，接著敘述該劇於台北藝術大學兩廳院中庭的演出，並歸結其間歌隊服裝造型、舞蹈與動線的可轉換性、聲音表演的古希臘與台灣本土之文化根源，而在劇場空間的處理上，則充分利用中庭劇場之露天與高台配置，使「期待觀眾在看戲中也能經驗古希臘戲劇演出的形貌與震撼力」的導演構想得以實現。
另一個《安第剛妮》的演出為小戲化的獨角戲，碧芮特藉影像、聲音、身段等因素交替或相乘地轉換呈現了歌隊與個人臨場演出。
最後，本文從表演的先天性與經驗性、終極感動的價值根源問題，從大傳統與小傳統之互動演化來思辯古希臘悲劇與本土劇場文化創作的價值自覺。

並列摘要

This paper gives decription and analysis on the two performances of Ancient Greek Tragedy 'Antigone' in Taiwanese Theatre, from the semiotic theory of ”Theatre action”.
First, the author resumes the view point of dialectic traits and its transformability of theatrical semiosis in Veltrusky and in Honzl, and emphasizes the theoretical origins in the theory of ”theatre action as the basic nature of theatre art”.
Concerning the production of Tainanjen's 'Antigone', this paper narrates us intention to make a full-length performance and being loyal to the original greek text, and the author resumes the performance as the following points: Its outdoor character in utilizing the court-yard theatre of the performing Center in TNUA, its transformability of the costume and figure, the dance and moving line, the root of cultural origin in voice acting, all these points unit together or alternately to fulfill the intention of the Director: wishing the audience could experience the basic traits and the shock forces in the drama realization.
Another performance of 'Antigone' is the one-man show and has been Minisized, Birute Mar utilizes the film images as the chorus organization and transforms the world of Antigone with the voice or figure-shape elements.
By the end, this paper reminds us in concluding the problem of the a priori and the experience, and that of the cultural roots and the interaction between the grand tradition and the small tradition, and that is concerning the value reflection of Taiwan Theatre.