“越界與對話”；兩岸實驗劇場學術研究的最新現況

The Academic Conference of Experimental Theatre in Taiwan and China in 2003

林於竝(Yu-Pin Lin)

《藝術評論》 14期 (2004/04) Pp. 1-16

摘要

從1982年高行健的《絕對信號》在北京人民藝術學院排練場上演起算，中國大陸小劇場的發展至今也已經有二十餘年的歷史。政治上的隔閡使得兩岸小劇場之間缺乏交流。到底大陸的小劇場至今歷經了怎樣的發展，實驗出了怎樣的形式，劇場創作的生態環境爲何，在經濟社會急遽發展當中，又將朝向何處發展等等，這些問題都一再地刺激著我們對於大陸小劇場知的慾望。於2003年11月，由國立臺北藝術大學所主辦的「越界與對話；兩岸實驗劇場學術研討會」正是這種知的欲望之下的産物。本文將秀過對於此次研討會論文發展的觀察，來審視近年來兩岸學者對於小劇場研究觀點以及方法的趨勢。

關鍵字

小劇場 ； 實驗劇場 ； 前衛劇場

並列摘要

The history of experimental (little)theatre in People Republic of China has begun twenty years ago when Gao Xingjian's play, Warning Signal took place in North Theatre in Beijing. The political barrier obstructs the intercommunion in experimental theatre between two places. What has the little theatre in China experienced in these years? What kind of new theatrical form did they obtain? How is their environment of creative working in theatre? Where will they find possibilities in a social-economically rapidly developing society? These questions keep arousing our curiosity about the condition in experimental theatre in China. Such a curiosity resulted in the academic conference-Beyond and Dialogue: Academic Conference of Experimental Theatre in Taiwan and China-held by National Taipei University of Arts in November, 2003. This article will inspect, through the observation gained in the conference, the viewpoints and methods, used by the scholars from both places in their studies of little theatre.

並列關鍵字

little theatre ； experimental theatre ； Avant-garde theatre