十五世紀西洋繪畫的寫實主義和理想－以早期尼德蘭和文藝復興繪畫為研究對象

Realism and Idea of the 15th Century Western Paintings-A Research Based on Early Netherlands and Renaissance Paintings

賴瑞鎣(Shui-Yung Lai)

《藝術評論》 15期 (2005/03) Pp. 191-218

摘要

十五世紀分峙阿爾卑斯山南北的兩大畫派，尼德蘭繪畫被稱為晚期哥德風格，義大利繪畫則為文藝復興風格，兩者在傳承上雖然相異，卻共同展現追求寫實表現的時代精神。尼德蘭畫家採用精密寫實的技法描繪自然景物的細節，製造逼真的視覺效果；義大利畫家則運用科學探索視覺世界的法則，以消點透視法強化現實的錯覺。在日益強烈的寫實意念驅策下，對事物的寫實要求便從形式轉向氣韻生動上，務求神形兼備，以提高心面靈的境界。

關鍵字

寫實主義 ； 理想 ； 早期尼德蘭繪畫 ； 早期文藝復興繪畫

並列摘要

In the 15th century, there existed two major factions of painting style. One faction existed north of the Alps (Netherlands) and the other south of the Alps (Italy). Netherlands painting was labeled as a late-Gothic idiom and Italian painting as a Renaissance idiom. Although the two did not share a common heritage, they both represented the spirit to pursue realism. Netherlands artists employed skills of realistic precision to illustrate details of natural subjects in order to produce the effect of real vision. Italian artists applied scientific principles to explore visual impression and used linear perspective to emphasize visual illusion. Driven by the pursuit of realism, the paintings have transformed from logistic formality into vivid sensuality. This means the depicted subject must possess a realistic form and a vivification to highlight the perception of the mind.

並列關鍵字

Realism ； idea ； early Netherlands paintings ； early Renaissance paintings

參考文獻

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