理想而殘缺的女性形象－談《鯤島逸史》中女性形象之塑造

The Ideal Yet Incomplete Female Image-The Molding of Female Image in Kung-Dow-I-She

王岫林(Hsiu-Lin Wang)

《哲學與文化》 33卷7期 (2006/07) Pp. 149-173

https://doi.org/10.7065/MRPC.200607.0149

摘要

《鯤島逸史》一書中，女性形象的呈現為婦女一方面具有雄飛、能文等男性特質，一方面又兼具有傳統婦女德性，這種融合雙性特徵的女性形象，除了表現出作者男性書寫下的女性理想形象之期待，也反映出傳統男權觀點的遺留。另一方面，書中所呈現的二性關係，特別是在婚姻關係與二性的互動方式上，作者強調一馬三鞍卻琴瑟和嗚、女子主動、夫尊妻卑等，透露出作者對於男女關係的期待仍不出於傳統思想。此外，書中的女性主角沒有出現一種完整的個性與特質，角色平面化。對於女性的描寫是片斷而不完整的，婦女的形象呈顯為一種男性附庸的角色，無論是才能與德性、美色都是繞著丈夫打轉，沒有自己的一片天地。女性在此沒有重量，只是一種完全的陪襯，在身體上是隱形的。

關鍵字

鯤島逸史 ； 女性形象 ； 婦女 ； 才德 ； 雄化女人

並列摘要

In ”Kuen-Dao-I-She”, the presentation of female image includes two aspects: one is that women possess the male qualities of masculinity and literacy, and at the meantime maintain the virtue that traditional women are supposed to embrace. This female image that combines a bi-sexual trait not only demonstrates the author's expectation of an ideal female image from a male writing's point of view, but also leaves a residue of traditional male viewpoint.
On the other hand, the relation between the two sexes, especially the interaction of the two sexes and their marriages, was focused in a way that is equal to polygamy, yet husbands and wives live in perfect harmony, and women are very active in pursuing their happiness while husbands remain the more powerful one in marriage. These descriptions demonstrate the author's traditional ideas on man and woman relationships.
In addition, the female leading character in this book does not show a complete personality and feature, the character itself is flat and stereotyped. The description of female is incomplete and fragmental, and the image of women is presented as an attachment to male, no matter how virtuous, talented and attractive they are. Their husbands are the center of their world, and they do not have a stage of their own. They are of little importance, nothing but a foil. Their bodies are invisible.

並列關鍵字

Kuen-Dao-I-She ； female image ； women ； virtue and talent ； masculinize women