透過您的圖書館登入
IP:18.189.180.76
  • 期刊

文化創意導向都市再生、「新」都市治理的實踐及缺憾:以迪化街區為例

Cultural Creativity-Led Regeneration, Exercise of 'New' Urban Governance and its Discontents: A Case Study of Dihua Neighbourhood in Taipei

摘要


文化創意導向的都市再生概念已經被視為一種重要且便利之政策工具,用以再生所謂衰頹之城市或街區。它被期待可重塑在地社群、其生活空間及文化意象,以發展新的文化或創意經濟來面對城市在後工業下生產與消費之轉型。這樣的概念往往基於少數「全球北方」城市之政策論述與經驗,其似乎代表一種寰宇理性或新的治理典範,而必須被其他城市所追隨。然而近期研究缺乏提供足夠之討論,針對這些概念如何影響在地的再生政策、都市治理及治理性。特別目前研究也仍缺乏提供,其如何影響「全球南方」城市的案例考察與經驗研究。為改正以上欠缺,本文針對臺北文化創意導向都市再生之典範案例(迪化街區),提出一個批判性的檢視。其企圖解構公部門的軟都市主義都市再生議程,此議程期待動員創意及在地社群以發展特殊文化場域、創意氛圍及創意街區於臺北。本文主要聚焦此新治理議程於治理性建構、街區的實踐、文化及社會排斥等面向,並提出反思。

並列摘要


Cultural creativity-led regeneration has been adopted in regenerating 'declining' cities or neighborhoods worldwide. As is widely anticipated, the emergence of a 'new' cultural and creative economy can help to reshape local communities, their living spaces and cultural images, as well as effectively respond to cities' post-industrial transformation of production and consumption. This concept and related regeneration agenda is based on the policy discourses or experiences from a few cities of 'global north' that appear to represent a cosmopolitan rationality or a new governing paradigm. However, exactly how this concept and related discourses influence the local regeneration policy, urban governance and governmentality has seldom been addressed in the literature. In particular, empirical studies of cases of global south (or non-western) cities are still lacking. Therefore, this study explores a 'model' case of cultural creativity-led regeneration in the Dihua neighborhood of Taipei, Taiwan. It deconstructs the government's 'soft urbanism' regeneration agenda that aims to activate creative and local community for developing a local cultural field, creative milieu, and creative neighborhoods in Taipei. Agenda-related issues of the 'political rationality' of governmentality, local practices, cultural and social exclusion are discussed as well.

參考文獻


徐燕興、丁育群(2010)。臺北市古蹟容積移轉政策內涵與困境之探討。文化資產保存學刊。12,5-22。
吳光庭(2012)。都市文化遺產保存與地區再生的對話-以臺北市迪化街一段「127 店」為例。博物館學季刊。26(1),7-17。
康旻杰(2012)。「掠奪」資本城市中的都市保存。文化研究。15,230-241。
臺灣都市更新受害者聯盟(2012)。臺北的身世.都更的身分:作為「營建經濟」的都市更新政策、私有權與公共之辯。文化研究。15,220-229。
黃麗玲(2012)。從公共化到產權化:都更都市淪亡記。文化研究。15,206-219。

被引用紀錄


温建吉(2017)。創意修補/固著的青黃半接:以臺北市寧夏路木材產業為例〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU201703787
陳政吉、王滿馨、陳穎(2020)。從市民的空間意象觀點探究宜蘭市護城河的健康休閒環境嘉大體育健康休閒期刊19(1),12-26。https://doi.org/10.6169/NCYUJPEHR.202006_19(1).02
楊一萌、王志弘(2023)。文化治理的正當化政治:廣州都市更新下恩寧路與泮塘五約的文創產業化都市與計劃50(1),85-119。https://doi.org/10.6128/CP.202303_50(1).0004
陳志宏、鄭婷文(2020)。以地方權益關係人觀點探討臺南市新化區歷史街區振興推動經驗規劃學報38(2),29-58。https://www.airitilibrary.com/Article/Detail?DocID=10185402-202012-202103220012-202103220012-29-58

延伸閱讀