略論玉料偽古作舊的認識

Knowing Pseudo-ancient Jade from Jade Material Itself

黃建淳(Jiann-Chen Huang)

《淡江史學》 28期 (2016/09) Pp. 125-147

摘要

中國古玉蘊含著豐富的歷史文化和人文藝術的內涵，受到世人無比的青睞與珍愛。近數十年來，隨兩岸經濟的蓬勃發展，掀起了收藏古玉的熱潮，惟有限的古玉畢竟難以滿足市場的需求，與此同時也造就了偽古玉應運而生。爰科技進步，偽古玉的質量足可亂真，矇騙了諸多收藏者和鑒定家。為古玉研究之需，往往面臨辨識古玉真偽的困難，茲考察學者的研究與專家的經驗，探索當代偽古玉的選材及藉新科技仿古作偽的方法，歸納了若干古玉辨偽與收藏的心得就教方家。

關鍵字

古玉 ； 偽古玉 ； 鑒定 ； 受沁 ； 化工作色

並列摘要

Chinese ancient jades contain a wealthy connotation of historical culture and humanity arts. People of all ages are favorably disposed toward them with incomparable love. In recent decades, with the booming cross-strait economy, setting off a wave of collection of jade, due to limited jades it is difficult to meet the needs of the market. Meanwhile, pseudo-ancient jades emerged in the market. With scientific and technological progress, the qualities of pseudo-jades are looked so real that a lot of collectors and connoisseurs are deceived. While researching jade, it often faces the problems of identifying authenticity. Through studying scholar researches and expert experiences, I would like to explore contemporary selection of making pseudo-jade material by imitators and the methods of making pseudo-ancient jade by new technologies, and summarize some personal jade's identification and collection experiences to consult with collectors and connoisseurs.

並列關鍵字

Ancient Jades ； Pseudo-ancient Jades ； Identifying ； Erosion ； Chemically Coloring

參考文獻

黃建淳(2012)。試析春秋戰國貴玉賤珉的玉文化。淡江史學。24，8-10。

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