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析論美感經驗及其與自我之深層互動

Aesthetic Experience and Its Profound Interaction with the Self/Ego

摘要


近年美感教育在臺灣獲得政府豐厚之資源挹注,欲落實美感教育,使美感確成一般民眾普遍珍視之價值,當有更堅實之學術論述為後盾。為確證美感經驗之於個人的永恆價值,本論文以文獻分析為方法,綜述美感經驗的典型─優美或崇高、美感經驗的範疇─由藝術作品、藝術創作,自然或日常生活所引發之經驗。並進一步將美感經驗中的自我狀態,整理為「自我滿足」、「自我辯證」、「自我整合」、「自我實現」與「自我超越」等五面向,即由高度自滿通往自省、自覺、及至忘我與無我的旅程。由是可知,美感經驗指向廣袤無垠的可能性、開啟內省與統合的契機、應允感性質地的生活態度與價值,並鋪陳個體實現與超越的高階潛能。

關鍵字

自我 美感經驗 感性

並列摘要


In recent years, aesthetic education in Taiwan has received abundant government support. To implement aesthetic education effectively and make aesthetic experience widely appreciated by the general public, some solid theoretical foundations are needed. To confirm the enduring value of aesthetic experience to an individual, this study conducted literature analyses to explore the very genres (beauty or sublime) and categories (experiences triggered by art pieces, creative activities, nature or daily life) of aesthetic experience. In addition, the researcher further sorted out five dimensions of self/ego statuses generated within aesthetic experience: "self/egofulfillment," "self/ego-dialectic," "self/ego-integration," "self/ego-actualization," and "self/ ego-transcendence." These five dimensions are states of single aesthetic experience and might possibly be a process of a certain kind of continuity. That is, it is a journey that goes from the state of high self-satisfaction to that of profound self-reflection, total self-awareness, and even to the state of forgetting the self/ego and no-self/ego. As understood from the literature, aesthetic experience points to boundless possibilities, unlocks opportunities for internal reflection and integration, enhances sensitivity as a valuable quality in life, and contains higher-order potentials for fostering individual self-realization and transcendence.

並列關鍵字

self/ego aesthetic experience sensitivity

參考文獻


江學瀅(2014)。成年人藝術創作依戀行為之個案研究:以Moya 為例。藝術教育研究。28,1-33。
陳玲璋(2013)。全觀性美感體驗對學校教學意涵之探究。藝術教育研究。25,109-135。
徐玟玲(2010)。以表達性藝術增益自我概念之藝術教育前導研究:以北美館「開顯與時變─創新水墨藝術展」導覽課程為例。藝術教育研究。19,61-109。
張美陵(2010)。日常生活的快拍攝影:從真實的臨在感,到數位生活的網路影像。藝術教育研究。19,115-148。
陳錦惠(2005)。教學經驗中的美感特質探討:杜威美學的觀點。課程與教學。8(2),15-24。

被引用紀錄


董孟修(2023)。遊客參加「大溪木博館」人員解說過程中之美感經驗來源戶外遊憩研究36(4),87-122。https://doi.org/10.6130/JORS.202312_36(4).0003
江怡瑩(2023)。地方創生中的身體經驗與藝術轉換:橫山美感策略之反思新實踐集刊(4),37-98。https://doi.org/10.29634/JNP.202303_(4).0002

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