現存南管“西廂”曲之形式與情節特色初探－以“悔婚”、“聽琴”情節為主

Features of Music Forms and Actions of Nan-Guan Xi-Xiang Qu: Taking Actions of "The Regret of Marriage" and "Listen to Stringed Music" as Primary Examples

沈婉玲(Wan-Ling Shen)

《東方人文學誌》 9卷1期 (2010/03) Pp. 203-224

https://doi.org/10.6389/OH.201003.0203

摘要

南管現存「西廂」曲約有五十多首，可以作為已散失之南戲與梨園戲之戲文線索。
南管樂曲之指、散套、曲等，皆有西廂曲目，大部分屬於摘調。今日所見之實際演奏，為清奏、清唱，致力表現音樂與曲唱藝術，不作戲劇扮演。
南管西廂曲詞，在情節內容上，著重於人物心理活動，與情感自主之抒情展現。將曲牌與修辭藝術融鑄，表現出南管曲詞與音樂迂迴繚繞之美，有其承襲與創新之特性。

關鍵字

南管 ； 西廂記 ； 南戲 ； 梨園戲 ； 弦管

並列摘要

The number of existing Nan-Guan (南管) qu which are related to Xi-Xiang (西廂) story is about fifty. These songs can be thinking as the evidence to trace back the content of Nan-Xi (南戲) and Li-Yuan-Xi (梨園戲).
The music forms of Nan-Guan, i.e., Zhi (指), Xan-Tao (散套), Qu (曲), all include Xi-Xiang story. Most of them are made the form of Zhai-Diao (摘調). Nan-Guan is played for music art but drama.
The poem of Nan-Guan Xi-Xiang qu is emphasized on expressing roles's psychology and self-feeling. By fixing Qu-Pai (曲牌) and rhetoric represent the circuitous beauty of Nan-Guan. It has traditional and creative quality.

並列關鍵字

Nan-Guan ； Xi-Xiang ； Xian-Guan