東北之行、報人視角與穆旦「內戰」時期寫作的重構

1946年，詩人穆旦赴東北瀋陽辦報，「辦報」與「寫詩」兩種實踐，在相互衝突時，又具有了內在同構性：一方面，置身歷史最前沿，詩人的身份從「偶然的外來者」轉換為戰時中國及地方的「局內人」，他的觀察和思考不乏「在地」的政治實感；另一方面，詩人內戰時期的寫作也分享了一個「報人」的視野，突破了「純潔的個人」與「醜惡的社會」循環對峙之「裝置」，愈來愈多捲入「犬牙交錯」的歷史狀況中，具有了一定的群體代言性，甚至包含審視社會的方法論意涵。「詩人」與「報人」之間的關聯，或許能為討論戰爭語境下知識分子公共實踐對新詩現代「裝置」的影響，提供一個饒有意味的視角。

關鍵字

詩人穆旦；報人視角；內戰

並列摘要

In 1946, Mu Dan went to the Northeast China to run a newspaper. Editing a newspaper and writing poetry, the two different practices seemed in conflict but in fact shared the same inner structure. As a poet, Mu Dan had been an outsider of the national and local history, but as a journalist, he became an insider. The experience in Northeast brought more political reality into his observation and writing, resulting in the breakthrough of modern lyric device which was presented as the contradiction between pure individual and ugly society. His writing was involved into rather complicated historical circumstances of the wartime China, even representing the feelings and thought of a certain group. So the relevance of a poet and a journalist may provide a meaningful point of view to understand how the social practices of intellectuals influenced their literary writing in war time.