21世紀以來曹禺劇作的人文詮釋與舞臺呈現

本文旨在總結和歸納21世紀第一個10年當中，中國當代話劇舞臺對於曹禺劇作的詮釋、改編以及由此形成的舞臺藝術的當代特點。在概括描述《雷雨》、《日出》、《原野》、《北京人》等劇作常演常新的劇場面貌的前提下，對不同的解讀方式、不同的導演風格、不同的舞臺呈現進行學術研討和分析評估，肯定了既尊重原著、又不斷昇華原著的美學精神的藝術創造方法，同時對於有違原著美學旨趣的肆意篡改與商業運作提出批評。本文的立意在於通過對既往的舞臺實踐的分析論述，探討如何發揮曹禺劇作的現代意義、深化其文化價值的問題。

關鍵字

曹禺劇作；導演；詮釋；舞臺呈現；藝術特點

並列摘要

This article aims to summarize and conclude the interpretation, adaptation and the contemporary stage art features formed by those interpretation and adaptation for Cao Yu's plays on Chinese contemporary drama stage in the first 10 years of the twenty-first Century. In the premise of general description of theater features that Cao Yu's plays are staged frequently and innovatively such as Thunderstorm, The Sunrise, The Wild Land, Peking Man and other plays , this paper researches , analyses and evaluates academically for different interpretation, different directing styles and different stage presentation. Affirmed the artistic creation methods-they both respect for the original, while the aesthetics of the original spirit of continuous distillation; at the same time to criticize the wantonly tampered with the original aesthetic spirit and commercial operations.The motif of the article is to explore how to play the modern significance of Cao Yu's plays, and deepen their cultural values, with the help of analysis and discussion about the previous stage practice.