現在,市面上產品造形發展的方法,已經漸漸從功能取向轉變為心理需求取向,逐漸達到一種產品意象的心理滿足,而義大利的設計風格在符號意象的應用之中,可說是具有此獨特性也直接影響國內的工業設計風格。因此,本研究藉由相關文獻探討具義大利後現代設計風格之產品分析,透過問卷調查、分析的方式,尋求符號意象與產品造形的關聯性,並歸納出具義大利後現代設計風格之產品造形特點及符號意涵為設計規範,以作為產品設計開發之參考。 研究結果可歸納出以下幾點結論:(一)義大利後現代設計風格之產品造形,以簡單的幾何造形形態為主體來作造形變化為主,偶爾也有形體單純的流線造形出現。(二)在色彩的引用方面,多使用較為活潑大膽的鮮豔色彩。(三)在材質的表現上,以不鏽鋼的金屬質感為主要材料居多,其次為ABS或PVC等塑膠材質。(四)而從造形符號意象中可以歸納出,具義大利後現代設計風格之產品符號意象需有輕巧的、前衛的、圓滑的及幾何的意涵。本研究結果將可提供設計師在設計產品時能透過符號意象之設計規範,有效提供設計師在設計產品造形時,快速地利用符號意象做聯想和創意。
Recently, the method of developing product form has been changing from functional-oriented to psychological-needs oriented extending to psychological gratification in product images. Typically, design paradigms characteristic of Italy directly influence industrial design in Taiwan. Therefore, the purpose of this study is to find a correlation between the symbolic image and the form of the product by reviewing the related literature and analyzing the data from a survey. The design indicators of characteristics and symbolic meaning with regard to post-modem Italian design style can be concluded as in a conference on product design development. The results of this study lead to several conclusions: 1. The framework for post-modem Italian design style is based on a geometric structure with simplified streamlined or linear characteristics. 2. The application of color tends to be bright and brilliant. 3. The primary material used is stainless steel. Secondary materials include plastics such as ABS or PVC. 4. The symbolic images of post-modem Italian product form have meanings such as compact, vanguard, glossy and geometric. The results of this study can effectually and quickly provide a method of association and creation with regard to product form by using symbolic images.
為了持續優化網站功能與使用者體驗,本網站將Cookies分析技術用於網站營運、分析和個人化服務之目的。
若您繼續瀏覽本網站,即表示您同意本網站使用Cookies。