元散曲中的屈原主題

Theme of Qu Yuan in Sanqu of the Yuan Dynasty

廖藤葉(Teng-Yeh Liao)

《人文社會學報》 5期 (2006/12) Pp. 1-17

摘要

由《全元散曲》檢視屈原主題，進行分析，文分三節，（一）、是散曲家對屈原的描寫，集中引用〈漁父〉篇的內容。其間有認同屈原的，亦有站在和漁父相同立場勸屈原同流同醉者，顯然對屈原的形象已有不同的認知。（二）、論屈原主題和隱逸結合的現象，隱逸為元曲重要情調，雖然屈原只有被放逐，未有隱居的事實，但元代散曲家充分將屈原和隱逸作聯繫，有元代社會的特殊情況和文人際遇。（三）、論屈原主題和陶淵明、酒相提並論的現象。至於端午節慶和屈原的聯繫，因和主題無關，置於全文之後的「附錄」，以為參考之用。

關鍵字

散曲 ； 屈原 ； 漁父 ； 陶淵明

並列摘要

By reviewing the theme of Qu Yuan in Quan Yuan Sanqu (Detached Song of the Yuan Dynasty), this essay works to conduct the relative advanced analysis in three chapters. Chapter One features the delineation of Qu Yuan, a sanqu master, in which it cites the contents of Chapter Yu Fu, some giving positive recognition of Qu Yuan while the other ones standing in Yu Fu's stance to persuade Qu Yuan joining in their cesspool, thus apparently creating different recognition over Qu Yuan's image. Chapter Two gives account of the phenomenon about the association of theme of Qu Yuan with yin yi (reclusion), an important emotional appeal in qu (song) during the Yuan Dynasty. Despite with the fact of Qu Yuan's exile but seclusion, sanqu masters in the Yuan Dynasty associated Qu Yuan with yin yi, thus presenting the special situations and the turns of the men of letters have encountered in their life in the society of Yuan Dynasty. Finally in Chapter Three, the account puts the phenomenon of the theme of Qu Yuan on a par with Tao Yuanming and wine. In the respect of the association of Dragon Boat Festival with Qu Yuan, it is placed in the ”Appendix” following this essay for a reference due to its irrelevance with the theme.

並列關鍵字

Sanqu ； Qu Yuan ； Yu Fu ； Tao Yuanming