ACROSS-DISCIPLINE CREATIVITY BY INTEGRATING VISUAL TECHNOLOGY AND DANCE PERFORMANCES

視覺影像結合舞蹈之跨領域創作

夏綠荷(Lu-Ho Hsia) ； 楊宇辰(Yu-Chen Yang) ； 林豪鏘(Hao-Chiang Koong Lin) ； 黃意雯(Iwen Huang)

《國立臺灣科技大學人文社會學報》 12卷2期 (2016/06) Pp. 115-134

摘要

本文旨在探討舞蹈結合視覺科技，實踐於表演藝術領域的結果及優點。在這個研究中，提出一種媒合舞蹈與視覺特效演出的方法，能有效減少整體的製作成本，並強化演出的效果。技術上，透過討論整個創作技術及表演的結構，指出一些科技使用技巧上的問題，如特效的填加與粒子的數量將會影響輸出影片的時間、品質與檔案的大小，為避免過大的影片在表演當下出現延遲，須將影片再行壓縮處理；展演上，針對編舞者在創作時面臨的問題，包括動作切換難以精準及視覺畫面同步轉換的困難，提出解決方案。最後，對未來演出計畫提出一些創作的建議與想法，希望帶領觀眾以更多元的角度與思維來看待作品。

關鍵字

數位藝術 ； 視覺特效 ； 表演藝術

並列摘要

The aim of this study was to investigate the outcomes and benefits of integrating digital visual technology into the field of performing arts. In this study, an integration mechanism for dance and digital visual effect technology was proposed, which not only can enforce the performance effects, but can also decrease the cost of the performance. For technical parts, we demonstrated a mechanism for the compression of videos and special visual effects for smooth playing the visual screens. In addition, a solution was proposed to deal with the difficulties of creating a performance, such as including body movement and synchronization of the digital visualization on screen. By doing so, more ideas for creation can be delivered. In addition, some issues concerning bringing new experience to audiences were also been discussed in this paper.

並列關鍵字

digital art ； visual effect ； performing art

參考文獻

Fong, T. S.(2009).Techniques or arts: Examine the creative process of digitally art objects.Journal of Design Research.3,18-27.

National Taiwan Arts Education Center (2009). Zoe. Retrieved February 2, 2014, from: http://web.arte.gov.tw/98arts_creativity/p_four.html

National Theater (2010). Mortal Engine. Retrieved February 2, 2014, from: http://dance.ntch.edu.tw/about02.html

Trapcode AB. (2014). Retrieved February 2, 2014, from: http://www.trapcode.com/

Troika Ranch. (2013). Retrieved February 2, 2014, from: http://www.troikaranch.org/