欲振翅的海燕：臺静農來臺前的思想取徑與主體鍛造

本文試圖從主體意識鍛造的角度深入臺靜農來臺前的創作，及其創作與時勢的共振關係，梳理其思想上的取徑與變化。臺靜農早年創作雖受無政府主義思潮的浸染，呈現出「革命」意識的萌芽，內核卻更多地是民族主義心態下過渡時代「知識人」思想資源的內部調整。隨後小說集《建塔者》反映出臺靜農在1930年前後主體意識的緊張與拉鋸，「革命+戀愛」的小說書寫映射出臺作為「知識人」欲為「革命人」而不得的精神和實踐上的雙重困境。但此階段的「革命」實踐亦已悄然滋養了他的思想底色。隨著抗日戰爭的全面爆發，臺靜農通過不肯甘休的現實批判，充實並立住了作為「知識人」的主體，並在此基礎上更深刻地內化了「革命」意識，實現了「文學與革命」實踐上的統一，也使「知識人」與「革命人」的主體意識經歷淬煉，終於相融於一身。

關鍵字

臺靜農；主體意識；知識人；革命人

並列摘要

This article attempts to analyze Tai Jingnong's works before October of 1946 from the perspective of shaping the subject consciousness, as well as the resonance relationship between his works and the historical situation, and sort out his path and changes in thought. Although Tai Jingnong's early works were influenced by anarchist thoughts and indicated the budding of ＂revolutionary＂ consciousness, the core was more concerned with a nationalistic adjustment of traditional conception of the ＂scholar＂ in the transitional era. His subsequent novel collection The Tower Builders showcased Tai Jingnong's entangled subjective consciousness around 1930. The writing of ＂revolution + love＂ novels reflected the dual dilemma of spirit and practice: the failure of an ＂intellectual＂ who intends to be a ＂revolutionary＂. Nevertheless, the ＂revolutionary＂ practice at this stage has quietly nourished his ideological background. With the full-scale outbreak of China War of Resistance against Japanese Aggression, Tai Jingnong has enriched and established his subjective consciousness as an ＂intellectual＂ through constant criticism of the reality, on the basis of which his consciousness of ＂revolution＂ has been internalized more deeply. Meanwhile, Tai maintained the consistency of literature and revolution in practice while converging the subjective consciousness of the ＂intellectual＂ with the ＂revolutionary＂.