雙向多維的感官共振：「HH」的音像表演藝術

Two-way multidimensional sensory resonance: audio-visual performance by ＂HH＂

曾靖越(Tseng, Ching-Yueh)

《南藝學報》 24期 (2022/06) Pp. 75-90

摘要

基於時間的不可逆，音像表演藝術是一種單向的流動，藝術家以強而有力的視聽節奏衝擊，持續地將作品的一切投射給觀者，然而，這是一種關乎身體，意識末端的理解，而不是一種明確意義上的理解。因此，觀眾常會試圖找到「如何理解」是類展演的方式，諸如這段音樂代表什麼？這個影像是什麼？當下聲光節奏背後的意義何在等等，這些都是縈繞觀者心中的常見問題。鑑此，本文以臺灣音像表演藝術團體「HH」為例，試圖從「以訊號作為事件的多感官體驗」、「雙向的節奏渲染」等特點，說明音像表演藝術在不同維度所帶來的感官共振，以及欣賞這種展演的可能方式。

關鍵字

音像表演藝術 ； 聯覺 ； 即興表演 ； HH

並列摘要

Audio-visual performance, created based on the irreversibility of time, is a one-way flow that requires artists to continually produce strong audiovisual rhythms and project all aspects of their work to the audience. The audience is expected to physically and consciously interpret the performance, rather than grasping a clear idea. This has long left the audience puzzled as to how they should perceive such performance. Questions such as ＂what does this piece of music represent?＂, ＂what is this image?＂, ＂what is the meaning of the sound, light, and rhythm created on site?＂ constantly haunt the audience's mind. In consideration of the phenomenon, this study investigated Taiwan's audio-visual performer duo ＂HH＂ in an attempt to describe the sensory resonance created by the multidimensional audio-visual performance from the characteristics of ＂multisensory experience where signals are deemed as events＂ and ＂interactions of rhythms between performers and the audience.＂ Moreover, this study aimed to explore potential means of performance appreciation.

並列關鍵字

audio-visual performance ； synesthesia ； improvisation ； HH