【伽椰琴×南管琵琶×古箏 =？】

今年初秋，筆者有幸獲得傳統音樂系之推薦，前往國立臺北藝術大學位於韓國光州之姐妹校「國立全南大學（Chonnam National University）」參加「2010第四屆聯合國教科文組織亞洲青年論壇暨第一屆亞洲藝術與文化工作坊（2010 4th UNESCO Asian Youth Forum& The 1st Asian and Culture Workshop）」。來自全亞洲六十餘位優秀青年齊聚於國立全南大學，透過論壇、演講、團體活動⋯⋯等不同型式一齊針對主題「Youth Creativity and Vision for Asian Community」作一系列的討論與思考，用不同地文化背景共同編織出二十一世紀亞洲青年的夢想與遠景。同時，也針對於亞洲之藝術與文化設置工作坊，分為音樂、舞蹈、文學、影片、傳統表演藝術五大項，以韓國青年為主並邀請其他亞洲國家的優秀青年藝術家共同參與。筆者參與的為音樂項目，筆者用台灣的傳統樂器「南管琵琶」與韓國傳統樂器、中國古箏相互交流，經由來自韓國與香港的優秀青年作曲家串連起亞洲國家各國之民謠，用亞洲之傳統音樂讓所有與會者悠遊於不同的國度。

關鍵字

聯合國教科文組織亞洲青年論壇；藝術與文化工作坊；海外交流

並列摘要

With the recommendation from the Department of Traditional Music, the author has received an opportunity to attend the 4th UNESCO Asian Youth Forum and the 1st Asian Art & Culture Workshop, which was held in Gwang-ju, Korea by the Chonnam National University, the sister school of Taipei National University of the Arts More than 60 uprising elites from all over Asia have gathered in Gwang-ju to discuss the main theme, ”Youth Creativity and Vision for Asian Community,” through forums, speeches, workshops, group activities, etc.Alongside with the UNESCO Asian Youth Forum, the 1st Asian Art & Culture Workshop focused mainly over five aspects, which are music, dance, literature, a film and traditional performing art Artists from other part of Asia have been invited to study and work with the Korean artists under this workshop In the final performance, the author has performed the ”Nan Guan Pi-pa”, a traditional Taiwanese instrument, with numerous Korean traditional instruments and a Chinese Guzheng on a work that was arranged by young composers from Korea and Hong Kong The large of Asian folk elements that the composers incorporated in the work has led the audience lingered around the spirit of many Asian countries.