記憶拼圖拼記憶：概念地圖利用於電影《記憶拼圖》(Memento)腳本內容之資訊設計與探討

A Creation of the Message Transformation from Movie into Information Design: Take Movie "Memento" for Example

黃絜如(Chieh-Ju Huang)

《實踐設計學報》 5期 (2011/10) Pp. 123-137

https://doi.org/10.30116/Praxes.201110.0007

摘要

在電影「記憶拼圖」裡，男主角利用三種不同的物件以建構屬於他自己的記憶系統：拍立得照片，身上的刺青，以及便利貼紙條。而這個獨特的記憶系統對他而言，是為了解決他的短期記憶匱乏的問題。在這個創作當中，除了利用「概念地圖」與「媒體即訊息」兩種方式解構男主角的記憶系統之外，更將解構的結果創作成資訊設計的腳本作品。最後，預期此腳本可在未來創作成互動多媒體形式之作品。本腳本除了展示電影之中有關於男主角自行建構的記憶系統之各項訊息之外，並將未來互動作品的形式與整體畫面表現模擬展示出來，以供使用者了解此電影。

關鍵字

記憶拼圖 ； 概念地圖 ； 媒體即訊息 ； 資訊設計 ； 資訊圖表

並列摘要

In movie ”memento”, the actor uses three different objects to keep a memory system: notes, photographs, and tattoos. This system is the solution for him to cover his Anterograde Amnesia. In this research, the actor's memory system is deconstructed according to the methods of ”Concept Maps” and ”The Medium is the Message”. Later, transform the results from information architecture rules. In the end, the scenario creation will be designed as infographics for representing actor's memory system. Also, this scenario can be transformed to interactive form, and it will represent varied meanings according to ”The Medium is The Message” from McLuhan. Moreover, the transformation will be more precisely and multi-functionally because of the feature of interactive medium.Information architecture rules. In the end, the scenario creation will be designed as infographics for representing actor's memory system. Also, this scenario can be transformed to interactive form, and it will represent varied meanings according to ”The

並列關鍵字

Memento ； Concept Map ； The medium is the message ； Information Architecture ； Infographics