從後現代主義發現臺灣建築的主體性

台灣建築從日據時期西元1895年開始西化至今，建築的發展十分迅速，對於加速臺灣建築現代化是一件值得肯定且具正面意義，臺灣建築西化的過程當中，大量運用西方的建築式樣，使得臺灣近百年（1900-2000）的建築發展的歷程中，大部分都是處於建築的文化殖民階段，建築的主體性一直是處於淪喪狀況，只能跟著文化強國的腳步走，直到1960年代後現代主義（Postmodernism）思潮的興起，「差異性」的概念取代了全球化（globalization）強調「普同性」的趨勢。臺灣建築主體性似乎在後現代主義帶領下顯露一絲署光。後現代主義一直改變著人們的生活方式與思考模式，建築的本質也隨著人的價值觀的改變而對建築有著不同的「需求層次」，從後現代主意中發現臺灣建築的主體性，讓臺灣建築能夠在全球建築論述之中擁有一處展現臺灣建築特色的舞臺。

關鍵字

文化殖民；後現代主義；主體性；建築論述

並列摘要

The development of Taiwan architecture has been growing rapidly since Japanese occupation to 1895. It keeps positive meaning and worthwhile toward rapid Taiwan architecture modernization. During the process of turning Taiwan architecture westernized, Taiwan architecture uses western architecture style greatly. It makes the process of the development of architecture for almost hundred years (1900-2000) under the stage of architecture cultural colonization. Therefore, the subjectivity of architecture is under depression and only follows the step of strong cultural countries. The concept of differences replaces globalization and emphasizes on common trend until the bloom of postmodernism in 1960s.The subjectivity of Taiwan architecture seems to spring out under the leading of postmodernism. Postmodernism is changing people's the life style and thinking model all the time. Besides, the architectural element changes through people's views and develops different need levels in architecture. It discovers the subjectivity of Taiwan architecture and makes Taiwan architecture unique in global architectural discourse.

並列關鍵字

Cultural colonization ； Postmodernism ； Subjectivity ； Architectural discourse

國際替代計量

從後現代主義發現臺灣建築的主體性

全文下載

主題瀏覽