本文以蒐集到的315首兩蔣威權統治時期的所謂「愛國歌曲」的歌詞內容為文本,分析其內涵,進一步從中了解兩蔣政治的本質。經分析結果,得知兩蔣威權統治時期的「愛國歌曲」具有以下內涵:一、揭櫫「反共抗俄」「消滅共匪」;二、鼓舞戰鬥意志;三、對蔣介石的個人崇拜;四、大中國的國家認同、中華民族主義的宣揚;五、對中國大陸舊山河的眷戀;六、「工具論」的台灣歌頌;七、標舉三民主義;八、對孫文的歌頌;九、對青天白日滿地紅旗的歌頌;十、標榜「革命」;十一、透過情歌的置入性宣傳;十二、宣揚中國歷史文化,歌詠歷史人物或中國古詩詞;十三、外交挫敗後的鼓舞;十四、宣揚保密防諜;十五、純粹勵志,激勵進取、開朗、樂觀。從以上的特色可以窺見蔣氏政權的性質,完全符合法西斯主義的充分條件。
This paper analyzes lyrics of the three hundred and fifteen collected so-called ”patriotic songs” during the Two Chiangs, namely Chiang Kai-shek and his son Chiang Ching-kuo, dictatorial rule for the purpose of better understanding the essence of the Two Chiangs' ruling politics. The result of this analysis shows ”patriotic songs” during the era of dictatorial rule contain characteristics as follows: 1) announcing ”anti-communists and resisting Russia,” ”annihilating communist bandits”; 2) rousing the will to fight; 3) personal cult of Chiang Kai-shek; 4) national identity of a great China, publicizing Chinese nationalism; 5) attachments to landscapes of the old mainland China; 6) instrumentation of the singing praise of Taiwan; 7) glorifying The Three Principles of the People; 8) eulogizing Sun Yat-sen; 9) eulogizing the flag of blue sky, white sun and red all over the ground, the flag of the Kuomintang; 10) glorifying ”revolution;” 11) inserting propaganda in love songs; 12) advocating Chinese history and culture, singing praise of historical figures and traditional Chinese poetry; 13) boosting morale after diplomatic setbacks; 14) promoting ”keeping secrets and guarding against spies”; 15) pure didactic encouragement of a positive, aggressive, open-minded and optimistic determination. It is thus detected, through these afore-mentioned characteristics, the nature of the Chiang regime conformed completely to the sufficient term of Fascism.