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應制詩之審美特徵-以張九齡應制詩為觀察對象

Characteristics of Beauty Appreciation for Poems Written at Royal Command-From Observing Zhang Jiuling's Poems

摘要


中國文學史上,從詩經雅、頌開始到漢代梁園賓客賦詠,從曹魏鄴下文士、唐初上官體、宋初西崑體,再到明初的台閣體,奉和應制之作總伴隨著昌隆國運與盛世太平而來;作為詩歌史上極為特殊的一種創作文體,應制詩自有屬於它的創作規律,呈現某種相對穩定的獨特風貌。本文由文體的角度重新審視應制詩,透過構成應制詩體之主、客觀因素加以析論,這除了對應制詩「典實富豔」的文體特徵有更深刻地理解外,希冀亦能對貴族文學的美學建構有所助益。

關鍵字

應制詩 文體 審美特徵 命意 賦筆 諷語 張九齡

並列摘要


In the history of Chinese literature, from "Elegance" and "Extol" in Book of Songs to composing and singing poems in Han dynasty, from literati in the period of Cao and Wei, Shangguan style in the early Tang dynasty, Xikun style in the early Sung dynasty to Taige style in the early Ming dynasty, poems written at royal command always accompany times of peace and prosperity. As a particular style of literary creation in Chinese poetry history, a poem written at royal command has its owen creation regularity, presenting its individual features.This article reviews poems written at royal command in the view of literary style and comments through subjectivity and objectivity in composing poems. In addition to expound the literary characteristics of poems written at royal command in elegance, prosperity, abundance, and luxury, the article hopes to benefit readers from beauty appreciation in noble literature.

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