被殖民者的「去異化」之路：論《為所應為》與《雷德胡克的夏天》的黑人之「存在」

The Path to De-alienation of the Colonized: The Existence of African Americans as Portrayed in ＂Do the Right Thing＂ and ＂Red Hook Summer＂

劉立行(Li-Hsing Liu) ； 吳奕霖(Yi-Lin Wu)

《文化研究季刊》 151期 (2015/09) Pp. 2-22

摘要

本文探討史派克李電影敘事中的種族議題，逐步理解美國黑人被異化的諸種形式。研究以法農的後殖民主義為分析框架，並運用該理論所蘊含的存在主義與辯證法，得以說明黑人被殖民所產生的行為。本文首先闡述主體意識，由此基礎說明黑人的殖民異化與勞動異化，接著進一步釐清史派克李被異化的情形。結論顯示，史派克李早已充分意識到被異化的自己，而當他試圖以電影傳播來幫助觀影者去異化時，自己也能藉此方式由他在之處達成去異化。

關鍵字

後殖民主義 ； 存在主義 ； 辯證 ； 去異化

並列摘要

This study examines the issues of race that are explored in the movies of director Spike Lee, focusing on the various different ways in which black people in the American experience alienation. The concept of post-colonialism, as developed by Frantz Fanon, is used as the study's analytical framework, making use of post-colonialism's existentialism and dialectics to explore the behavior that black Americans display due to the influence of colonialism. The study begins by describing the subjects' conscious behavior, and then uses this as a basis for explaining the colonial alienation and labor alienation experienced by black people in America, before going on to consider alienation as experienced by Spike Lee himself. The study finds that Spike Lee became aware at an early age of his own alienated self, and that his efforts to use his movies to help viewers achieve de-alienation have also helped Lee himself to achieve a similar de-alienation.

並列關鍵字

postcolonialism ； existentialism ； dialectic ； de-alienation