「性」在文學裡的再現與表現－應用「現象學」方法解讀鹿橋〈靈妻〉的「性意識」

Representation and Presentation of ＂Sexuality＂ in Literature－Interpreting Sexuality Consciousness in Lu-Qiao's Ling-Qi with Phenomenological Approaches

楊秀宮(Hsiu-Kung Yang)

《人文社會電子學報》 2卷1期 (2006/06) Pp. 24-33

https://doi.org/10.30134/STOSHSS.200606.0004

摘要

本文主要採用現象學觀點及其方法，從胡塞爾對意義構造的強調，以及他的學生羅曼．英加登對文學作品的認識與分析，來解讀鹿橋《人子》書裡的〈靈妻〉作品，探究蘊含在〈靈妻〉裡的「性意識」。為了「作者之意識」與「讀者之詮釋」的聯繫，本文應用「主體意識」、「意向性」、「現象學還原」、「互為主體性」、「本質直觀」等重點，探究文學的「再現」與「表現」，並說明審美經驗裡有關移情、理解以至於「和諧價值」對於認識及欣賞文學藝術作品的意義。

關鍵字

性意識 ； 性文學 ； 現象學 ； 鹿橋 ； 審美和諧價值

並列摘要

In this paper, the author adopts phenomenological approaches, including Edmund Husserl’s emphasis on meaning construction and his student Roman Ingarden’s understanding and analysis upon the cognition of literary work, to interpret the work entitled ＂Ling-Qi＂ in the book ＂Ren-Zi＂ by Lu-Qiao and to explore the sexuality embedded within the work. To connect author’s intension and reader’s interpretation, important concepts covering consciousness, intension, phenomenological reduction, intersubjectivity, and eidetic intuition are applied to examine the representation and presentation in literary works. They are also used to exemplify the significance of empathy and apprehension in aesthetic experiences as well as the aesthetically harmonic value, to understanding literature works related to sexuality consciousness and appreciating works of art and literature.

並列關鍵字

consciousness of sexuality ； literature with sexuality ； phenomenology ； Lu-Qiao ； harmonic value