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看見平埔的美麗與哀愁——試評「看見平埔:臺灣平埔族群歷史與文化特展」

Witnessing Beauty and Sorrow: Review of "Seeing Pingpu: The History and Culture of the Plains Indigenous Peoples in Taiwan" Special Exhibition

摘要


國立臺灣歷史博物館與日本國立民族學博物館合作推出「看見平埔:臺灣平埔族群歷史與文化特展」,將展覽區分為「誰是『平埔』?『平埔』在哪裡?」、「歷史洪流中的平埔原住民」、「看見平埔」與「我們一直都在!」四大部分,企圖藉由回顧過去、追尋記憶,理解當代臺灣社會,期能促進社會大眾更加包容、尊重與珍視臺灣社會的多元文化價值。本文嘗試剖析各展區之陳設,探討其風格的連貫,及內容的呼應。並以自身對巴宰族文化與相關博物館蒐藏的瞭解,提出文物配置方面的淺見,試圖在保有不同族群社會文化體系之內涵的前提下,尋求其他詮釋方式的可能性。進而以平埔巴宰族裔的觀點,來研究展區運用感性敘事形式之表現手法,是否體現了當代博物館的多元觀點與多元意義,以激發「論壇」的溝通本質,實踐博物館存在的價值。

並列摘要


The "Seeing Pingpu: The History and Culture of the Plains Indigenous Peoples in Taiwan" special exhibition was held at the National Museum of Taiwan History (NMTH) in Tainan City in southern Taiwan in 2013. This exhibition was co-organized by the NMTH and Japan's National Museum of Ethnology. The aims of this exhibition were to introduce visitors to the traditional and contemporary life experiences of Taiwanese plains indigenous peoples via cultural artifacts, legends, ballads and stories. The ultimate goal was to prompt the public to re-think their previous opinions and interpretations of these peoples, thereby replacing stereotypes with respect, tolerance and appreciation of the diverse cultures that exist in Taiwanese society. The author analyzed this exhibition through its continuity of style and the connections among the exhibits. On the premise of keeping the socio-cultural systems of different communities in contexts, the author also attempted to present some alternative interpretations. Furthermore, the author, as a member of the Pazeh, a plains indigenous tribe, conducted analysis from the first-person point of view on whether multiple perspectives and meanings are embodied in such a contemporary museum. Finally, it is hoped that a "forum" can be evocated and the museum's value of existence fulfilled.

參考文獻


王嵩山(2007)。揭露的與隱藏的:臺灣博物館展示研究的回顧與展望。博物館學季刊。21(3),5-27。
林崇熙(2005)。博物館文物演出的時間辯證:一個文化再生產的考察。博物館學季刊。19(3),7-23。
盧梅芬(2005)。人味!哪去了?:博物館的原住民異己再現與後殖民的展示批判。博物館學季刊。19(1),65-77。
陳佳利譯、城菁汝譯、Sandell, R.(2003)。博物館與社會不平等的爭鬥:角色、責任、抗拒。博物館學季刊。15(3),7-23。
Hall, M.(1987).On Display: A Design Grammar for Museum Exhibitions.London:Lund Humphries.

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