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  • 學位論文

王嘉明「常民三部曲」

Chia-Ming Wang and His Popular Culture Trilogy

指導教授 : 謝筱玫
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摘要


王嘉明「常民三部曲」 中文摘要 台灣莎士比亞的妹妹們的劇團導演王嘉明系列作品「常民三部曲」,取材自台灣常民流行文化,將「十年」一代視為其創作概念,歸納整理一九七零、八零、九零三個世代區間台灣娛樂產業與民生文化的大事件,推出作品分別為首部曲八零年代《麥可傑克森》、二部曲《李小龍的阿砸一聲》、三部曲《SMAP X SMAP》。三部作品依台灣社會發展進程的文化實況,展現各自獨立迥異的表演形式與語言風格:《麥可傑可森》以模仿八零年代知名人士與重現經典節目串聯的尾牙綜藝秀形式,以美國流行天王麥可傑克森歌曲作為貫穿,呈現戒嚴到解嚴的民間心理活動;《李小龍的阿砸一聲》為六代神話家族故事,透過社會符碼的挪用與新詮,書寫富含浪漫色彩的國族寓言;《SMAP X SMAP》處理九零年代日劇風潮,透過日劇十一話外加特別篇SP的演出結構,配合王嘉明自創的日台語混雜的新語言,在觀眾面前呈現電視電影影像由拍攝到後製的商品製造過程,玩弄影像虛構與真實界限的兩面關係。 「常民三部曲」為王嘉明作品中至今唯一的系列創作,有利於研究者對於創作者個人的創作動機與歷史觀作整體觀察。本論文試圖以台灣七零、八零、九零三個世代的時代特色與三部作品相互參照,討論王嘉明在史實與戲劇間穿梭的編導手法。

並列摘要


Chia-Ming, Wang and His Popular Culture Trilogy Abstract Chia-Ming Wang, the director of Shakespeare’s Wild Sisters Group, based his theatre series Popular Culture Trilogy on Taiwanese everyday life. Using “decade” as the main creative concept, Chia-Ming’s Trilogy divides Taiwan’s modern history into three parts, 1970s, 1980, and 1990s. The first episode Michael Jackson-Back to the 80’s focuses on entertainment and parody, trying to reproduce the mentality of Taiwan society from the period of martial law to the period after lifting the martial law. The second episode Bruce Lee-Welcome to the 70’s is a mythological fable dealing with nationality imagination. The third episode SMAP X SMAP-In love with the 90’s ironically plays the duality between image and theatre. Bearing the structure commonly seen in Japanese drama, SMAP X SMAP-in love with the 90’s uses a new kind of spoken language mixed with both Taiwanese and Japanese, sometimes together with English, forcing the audience to rely on subtitles to understand the meaning of the performance. Popular Culture Trilogy is the only series of Chia-Ming, Wang so far, which provides a great opportunity for those interested in Chia-Ming’s works to look into his idea about history, directing style and creation concepts. The article aims at discussing the connections between Taiwan historical facts and the trilogy of theatre works, and provides plenty of personal views about the important director of Taiwanese modern theatre.

參考文獻


譯。台北:大鴻藝術股份有限公司,2012年六月。
紀蔚然。〈擺明跟自己過不去的王家明—也談《李小龍阿砸一聲》〉。《PAR
王墨林。〈走調的巴哈賦格律〉。《PAR表演藝術雜誌》222期(2011年6月):
___〈王嘉明 打造常民記憶的劇場行李箱〉。《PAR表演藝術雜誌》。221
周伶芝。〈王嘉明 何須論大小?就是「玩」空間!〉。《PAR表演藝術雜誌》。

被引用紀錄


黃丞渝(2017)。王嘉明作品中的偶戲手法運用〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342%2fNTU201703981

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