孩童、家族、後鄉土：袁哲生與童偉格小說研究

Children, Family, Post-Regional : A Study of Yuan Zhe-Sheng’s and Tong Wei-ge’s Novels

廖紹凱(Shau-Kai Liau)

指導教授 ： 張文薰

國立臺灣大學/文學院/台灣文學研究所/碩士(2017年)

https://doi.org/10.6342/NTU201703597

摘要

二十一世紀初，范銘如針對台灣文學現象，提出「輕質的鄉土小說」的概念，涵括自二十一世紀以來，在臺灣文壇上由袁哲生領軍共同開創出一種有別於70年代寫實主義的鄉土小說。其後，在2009年，范銘如從臺灣本⼟意識、政經制度與全球化思潮下，將其易名為「後鄉土小說」。這波「鄉土熱潮」同樣受到其他學者的關注，而紛紛出現在「鄉⼟⽂學」之前，加上「輕質」、「後」、「新」等概念性標籤，企圖標示出不同過往的鄉土表現。不過這些概念性標籤的分歧，既是依附著既有鄉土文學認知所導致，也透顯出標籤所接連的概念意義其實並未明確，因此筆者認為必須將「後鄉土小說」放回文學史觀察，而闡明「後鄉⼟⼩說」的「後」之所以為「後」的意義，正是作家對於「鄉⼟」既定想像的延伸與挑戰。筆者將討論兩位慣常在⼩說中使用孩童、少年敘事者，以及未成年的孩童觀點的作家——袁哲生、童偉格。本研究嘗試勾勒⾃⽇治時期新⽂學以降，涵納「鄉⼟」與「孩童」的代表性作品在台灣⽂學史所承繼、轉化的系譜關係。並且從⽂本美學實踐的角度下論述⼆位作家創作中特有的空間性與時間性，以及⼩說中作為個體的「孩童」如何回應「鄉⼟」、家庭親屬與⼈際關係，而呈現出既有「鄉⼟⽂學」所未及的鄉村⼼理景觀。本研究將指出「後」的意義，在於當代社會的個體，從國族意識及「個體—家庭—鄉⼟」中剝離，才得以重新審視「個人性」更進⼀步關注到女性的生命存在與代⾔他⼈的倫理性。

關鍵字

孩童 ； 家族 ； 鄉土文學 ； 後鄉土小說 ； 袁哲生 ； 童偉格

並列摘要

At the beginning of the 21st century, Fan Ming-Ju proposed the concept of "light regional fiction” on the phenomenon of Taiwanese literature to include the novels appeared in Taiwanese literature since the twenty-first century. This new concept led by Yuan Zhe-sheng to create a new kind of the Hsiang-tu fiction different from the 70's realism. In 2009, the concept of "light regional fiction" has been given a new name "post-regional literature". This upsurge of localization had also been noticed by other scholars, and they began labeling “light”, “post” and “new” in front of "Hsiang-tu literature”. However, these divergence of labels not only caused by stereotypes of Hsiang-tu literature, but also unveil the connection between labels and its meanings are not defined clearly yet. Therefore, I conceive that post-regional literature need to be observed through the literary history, to clarify the meaning of the “post” in post-regional literature is writers to extend and challenge the "Hsiang-tu" established imagination. In this study, I discuss two writers (Yuan Zhe Sheng, Tong Wei Ge), who commonly apply the angle of children narrator, juvenile narrator, and children's point of view in their fiction. The purpose of this study was trying to draw the outline of representative works, which included "Hsiang-tu" and children, how it inherit and transform since the Japanese colonial period in Taiwanese literature. Moreover, to discuss the space and time in two writer’s novels from the perspective of the aesthetics ,as well as the discussion of the novel , through the "child" as an individual how to respond to "Hsiang-tu", family and interpersonal relationships, showing the psychological landscape. This study will point out that the meaning of "post" is that the individual of contemporary society strikes from national consciousness and “individual—family—‘Hsiang-tu’” to re-examine "individuality" and even further attention to the existence of women's life, and the validity of representing others without permission.

並列關鍵字

Children ； Family ； Hsiang-tu literature ； Post-regional fiction ； Yuan Zhe Sheng ； Tong Wei Ge

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