從内容產業来看日本音樂業界的發展

內容產業的構成，大致上可分為創造產業、著作權產業、文化產業、內容產業、數位內容產業等各項產業。而內容產業和其他領域的產業相較起，有較高的產業附加價值，再加上數位技術的蓬勃發展和網路的急速普及的要素下，依據創造新的內容產業為前提的相關政策，開拓內容產業業務的發展性也大幅提升。　　其中，音樂產業因為數位化的緣故，音樂商品也從實體商品，像是ＣＤ、卡帶轉換到無形的電子商品，開始了新的數位音樂平台。大家可以透過數位音樂平台來購買音樂到自己的電腦或者智慧型手機中，相較於傳統實體商品，數位因為提供了更多的便利性和選擇性，也不會有庫存方面的問題產生。此外，數位音樂的宣傳和作品交流透過網路服務能收到很好的效果，但是，也因此產生違法發布音樂和違法下載的問題。　　由於以上的原因，原創作品的著作權保護和管理成為音樂產業不可忽視的大事。著作權也不僅是關係到違法發布的問題，和左右音樂產業利益的作品的稅額分配也有很大的關連。因此，本論文將分析音樂產業的概要，以及針對音樂產業的發展和利弊來做為研究的主要方向。

關鍵字

內容學；音樂產業；著作權；數位媒體

並列摘要

The content industry is an umbrella term that encompasses companies owning and providing mass media and media metadata. This can include music and movies, text publications of any kind, ownership of standards, geographic data, and metadata about all and any of the above. Content industries constituted to create industry, copyright industry, culture industry, analog content industry and digital content industry. Compare to other industries, content industry has plentifully additional value. In the Information Age, the content industry comprises an enormous market. As digital technology grows prosperity and the diffusion of Internet service, the development of content industry goes up quite substantially. But the situation of music industry, although digital technology bring a lot of advantage to music production and promotion but illegal distribution and illegal download also become the biggest problem to music industry. The original product’s copyright is not only a significant issue to music industry, but also affected the whole content industries. According to the above factors, this paper will analyze the structure of the music industry, and the development of the content industry and the pros and cons of music industry.