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  • 學位論文

古龍武俠小說門派系譜研究

The Factions and Groups of Gu Long’s Knight-errant Novel

指導教授 : 林保淳

摘要


過去武俠小說家筆下的英雄人物,大多依循少年成長模式,使書中角色有師承有門派。而身為新派武俠小說的領導人物,古龍武俠小說有其獨特與創新。古龍的「新」就在於拆解過去讀者所熟識的江湖門派,解構門派所代表的權力,轉而以鮮明的人物形象,讓習慣過去江湖系譜的讀者從中得到滿足與慰藉。古龍並在有意與無意中建立了屬於自己的江湖系譜,也獨創古龍式的英雄形象,這種風格是古龍把個人生命與作品人物合而為一,因此造就出充滿「古龍意識」的英雄。本論文以古龍小說為閱讀文本,欲探討古龍小說中門派系譜的傳承與轉變,以及對後來作家的影響力。

關鍵字

古龍 武俠 門派 系譜

並列摘要


In the past, the characters in the Knight-errant novels always follow the way the teenagers grow up, making those characters have their own master and groups. However, as a leading figure of Knight-errant novel writers, Ku-Long succeeded in creating unique and innovative styles in his novels. The “innovation”of Ku-Long breaks down the groups familiar by the readers in the past. He abandons the power by the group, and transforms it into the unique style of individual character, so the readers, who are familiar with the “groups” in the past, get satisfaction and comfort. Somehow, Ku-Long also creates his own groups , generating the heroic impressions of Ku-Long. This style by Ku-Long combines individual life and characters in his novels, resulting in heroic characters full of “Ku-Long Style”. Based on the Ku-Long’s Knight-errant novel , this paper is intended to discuss the transformation and the shift in the group of his novel, and the impact on the following novelists.

參考文獻


劉巧雲:《古龍武俠小說之創新與特色》,私立淡江大學中國文學研究所碩士論文,
林香伶:〈兩岸三地武俠研究論著之探索(1931-1997)〉收入《弘光學報》第32 期,
侯健:《中國小說比較研究》台北:東大圖書股份有限公司,1983 年12 月。
林保淳〈中國古典小說中的「女俠」形象〉收入《中國文哲研究集刊》,第11 期,
馮幼衡:〈武俠小說讀者心理需要之研究〉收入《新聞學研究》,第21 期,1978 年

被引用紀錄


倪珮薰(2016)。鄭丰《靈劍》研究〔碩士論文,淡江大學〕。華藝線上圖書館。https://doi.org/10.6846/TKU.2016.00540
洪如玫(2011)。臥龍生《玉釵盟》研究〔碩士論文,國立臺灣師範大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0021-1610201315232156

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