《三頂大禮帽》與《抉擇》中之存在困境

The Existential Dilemma of Tres sombreros de copa and !Sublime decision! of Miguel Mihura Santos

李絃慈(Hsien-Tzu Lee)

指導教授 ： 吳寬

淡江大學/外國語文學院/西班牙語文學系碩士班/碩士(2014年)

https://doi.org/10.6846/TKU.2014.00555

摘要

米格爾•米烏拉為西班牙二十世紀當代著名之劇作家，畢生皆為幽默喜劇之創作而努力，不僅於劇作中結合荒謬元素來呈現其獨特的幽默性，並藉由戲劇展現現代社會大眾內心之疏離感，更大膽加入「女性意識覺醒」之主題，此外，與龐西拉共同提出之「革新幽默」理念亦為當時的西班牙幽默喜劇注入不同以往的全新面貌。

本論文之研究方法為文本分析法，以米烏拉《三頂大禮帽》與《抉擇》為主要文本，並以劇中人物之對話為參考依據，分析與探討劇中之女性自主意識與疏離。本論文分為五章，第一章為緒論，說明研究動機與目的、研究方法與範圍以及資料來源與限制。第二章為《米烏拉與二十世紀戲劇》，先闡述西班牙二十世紀戲劇之情況並介紹當時的代表作家；然後，針對米烏拉之生平、作品、劇作中之哲思以及幽默文字特色等進行分析與介紹。第三章為《三頂大禮帽》之介紹，先闡述情節與人物分析，並探討該劇中創新之幽默呈現方式，然後，針對劇中之現代社會意識，人與人之間之疏離感以及女性意識覺醒，作探討與分析。第四章為《抉擇》之介紹，第一節闡述情節架構與人物分析，第二節則為該劇中女性自主意識覺醒之介紹與分析。最後一章為本論文之結論，總結各章要義，說明米烏拉透過此兩部作品所欲傳達之訊息與理念。

關鍵字

米格爾•米烏拉 ； 幽默 ； 西班牙二十世紀戲劇 ； 女性意識覺醒 ； 疏離

並列摘要

Miguel Mihura Santos, a twentieth century Spanish playwright, who devoted all his life on drama. Miguel Mihura is also one of the contributers of the reconstruction of the modern Spanish drama. In addition, he had proposed an idea about “innovation of the humor” with another modern Spanish playwright, Enrique Jardiel Poncela, both are considered as pioneers of the humor comedy in the twentieth century Spain. His works are unique and showed innovation. Not only has combined the absurd elements to present humor in his drama, but also has presented in a subtle way the theme of “the existential dilemma”.

The methodology of this thesis is based on the textual analysis, we at the same time explore and analyze the awakening of feminist consciousness and the alienation through the dialogues of those characters in the case of Tres sombreros de copa and !Sublime decision!. This thesis is consisted of five chapters. The first chapter is the introduction; description of the motivation and purpose, method and scope, and the sources of the information and limitation. The second chapter deals with an overview of the Spanish drama in the twentieth century and those representative playwrights; also presents in detail Mihura’s life, works, his style and technique of the humor verbals, and the theme of his drama, the alienation and the awakening of feminist consciousness. The third chapter is the introduction of the drama Tres sombreros de copa, including the argument, the analysis of the characters, and the special mode to present the humor in that case, and then give a detailed explanation of the theme of this drama. The forth chapter focus on !Sublime decision!, in addition to the argument, the analysis of the characters, also explores the awakening of feminist consciousness in this drama. Finally, it summarizes the topics of each chapter and demonstrates the messages which the author wants to deliver, and then brings to a conclusion of the thesis.

並列關鍵字

Miguel Mihura Santos ； humor ； Spanish theatre in the 20th century ； the awakening of feminist consciousness ； alienation

參考文獻

趙如琳，《戲劇藝術之發展及其原理》，台北：東大圖書股份有限公司，民國87年。

朱鴻洲，〈戲劇與哲學：以沙特與貝克特為例〉，《藝術學報》，第89期，100年10月。

陳鈺佩，《西班牙現代喜劇初探：以卡洛斯•阿爾尼卻斯作品為例》，淡江大學西班牙語文學系碩士班，民國99年6月。

陳妤婷，《西班牙內戰陰影下之人性—以布耶羅•巴耶荷戲劇《天窗》為例》，淡江大學西班牙語文學系碩士班碩士論文，民國102年6月。

黃欣嵐，《論瘋狂與荒謬下所隱藏的真相－以尤涅斯科三部荒謬劇作為例》，淡江大學法國語文學系碩士班，民國97年6月。