安迪．沃荷（Andy Warhol,1928~1987）藝術特質形成之研究

The Studies of Andy Warhol’s Art Characteristics.

戴君宜(Chun-Yi Tai)

指導教授 ： 李本京

淡江大學/國際研究學院/美國研究所碩士班/碩士(2007年)

https://doi.org/10.6846/TKU.2007.00496

摘要

本論文試圖以幾個層面來探討，安迪．沃荷為何以普普藝術為出發，從抽象主義的藝術轉入普普藝術，是什麼影響及改變了他的繪畫風格？其次，剖析藝術以及商業對沃荷來說，是否有著個別不同的意義？安迪．沃荷如何看待藝術商業化的問題。且沃荷童年時生活環境對於他日後的發展有何影響，以及幼年時期的病症遺留在生理層面以及心理層面的後遺症。進而了解沃荷畫風轉變的問題。

身處在大眾文化繁盛的社會，對於印刷技術有特別的嚮往，印刷是讓藝術傳佈的一種手段及工具，在這個前提之下，沃荷開始將他的畫風與印刷的技巧做某種程度的關連與結合。像是印刷機器般大量的複製，製造出如印刷般的效果，因而呈現的普普藝術質感。此外，一九六三年後沃荷開始從事電影事業，從電影對沃荷的重要性，來分析電影事業對沃荷整體藝術事業的發展有何關鍵。

最後由他人對沃荷的觀感，來探討沃荷在「銀色工廠」裡的角色，以及他如何利用工廠來推展他的藝術王國。另外，從沃荷對於藝術的看法與沃荷為何要將藝術商業化，由此，發掘他對商業藝術的詮釋，加以探討他的觀念，並輔以法蘭克福學派的理論，進一步從事反思與批判。

關鍵字

安迪沃荷 ； 普普藝術 ； 商業藝術 ； 工廠

並列摘要

This thesis attempts to discuss Andy Warhol in following aspects: Why did he turn from abstractionist art into pop art; and what were the factors that influenced his painting style? Whether art and commerce separately have meanings for him; and how did he think of the issue of the commercialization of art? To understand the transformation of his painting style, this thesis takes notice of the impact of his living environment in his childhood and the mental residuals made by the disease during his puerility.
In a society with prosperous Popular culture, Andy Warhol had a specific aspiration to printing, which makes arts spread; and with this premise, he started to connect his painting style with printing skills such as silk-screening at a certain degree, like machine-made massive copies, which demonstrated the effect of printing and the artistry of Pop art.
Since 1963, he devoted himself to cinematic business. This thesis also discusses what films meant to him and the importance of films in the development of his art business.
With an objective viewpoint of people, there is an attempt to discuss Andy Warhol’s role in “silver factory” and how he used the factory to promote his art business; with Andy Warhol’s judgment on art and the reasons that his business art, there is an attempt to find out his own interpretation of commercial art. Finally, with the theory of Frankfurt School, goes further to bring up introspection and critique.

並列關鍵字

Andy Warhol ； Pop Art ； Business Art ； Factory

參考文獻

孫紹誼，＜通俗文化、意識形態與話語霸權＞，《當代》第114期，1995年10月1日。

Cagle, Van M.,（1995）Reconstructing Pop/Subculture：Art, Rock, and Andy Warhol. California：SAGE Publication, Inc.

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Varnedoe, Kirk., Copnik, Adam.（1990）. High ＆Low: Modern art and popular Culture. New York: The Museum Of Modern Art.

Warhol, Andy（1975）. The philosophy of Andy Warhol. New York: Harcourt Brace.