因應時代變遷與社會快速發展下所出現的新舊都市紋理,為解決此一差異性,臺灣的替代空間已行之有年,其經營種類涵蓋甚廣。行政院文化建設委員會2001年開始的閒置空間再利用政策即是發動風潮的幕後推手,然而在全球化的推拉理論下,歐美先進國家早於1990年代展開一系列都市再生計劃,有別於以往單一取向的都市閒置空間改造更新,轉而系統性地全面規劃與實施。 相較之下,都市更新計劃發展差距二十年的臺灣,「都市再生前進基地計劃(Urban Regeneration Station)」為臺北市都市更新處2010年起所推動的一項整合性計劃。以空間再利用為主軸,試圖在舊的產業遺址或私人閒置空間中引入新型態文化軟件,公私合辦的觸點式經營開發,將文化創意活動擴散至社區周邊。臺北市從過去閒置空間再利用到今日都市再生計劃,其中有一定程度的關聯性與發展歷程。政府的施政策略更新,對所謂的老舊空間再利用之影響與未來發展,以及連帶周邊社群的關係為本研究探討核心。 藉由臺北市「都市再生前進基地計劃」,選定其中一處基地作案例,透過中山創意基地(URS21)的調查與分析,了解臺北都市再生之未來取向,從中探究老舊空間再利用之發展重點,及鄰近社區對整體性的實施滿意度。研究方法為質性深度訪談,針對主辦單位、進駐單位與專家學者的三方訪談依據,以及當地社區的調查。綜合探討中山創意基地(URS21)對社群的連結性、都市再生推動者與執行者對整體計劃的共識和面臨問題,尋求如何真正將有效政策與實施計劃反饋於民,期許本研究的調查結果與建議能夠提供相關單位作為未來都市再生或閒置空間再利用的參考依據。
In responds to the urban texture of society development rapidly, Taiwan alternative spaces have conducted for many years. The business covered wide-ranging while the space policy in 2001 formulated by the Council for Cultural Affairs is the major driver of this wave. However, under the affection of global push-pull theory, U.S and Western countries are already started planning urban regeneration program in 1990s. Instead of the previous single-oriented urban renovation, the advanced countries prefer a comprehensive systematic planning and implementation. In contrast, the “Urban Regeneration Station” which launched by Taipei City Urban Regeneration in 2010, is the new project. The project designed not only to import new types cultural software in to old industrial sites or private unused spaces base on space reuse, but also culture and creative activities to surrounding communities. It has a certain correlation from the past unused space reuse to urban regeneration program today in Taipei. The major topics are Government's policy strategy updates, the influences and future developments of old spaces reused and several surrounding communities’ relationships. Within Taipei Urban Regeneration Station plan and Zhongshan Creative Station “URS21”, the author selected one of the reused places as sample to survey and analysis the residents’ satisfaction of the plan. The research method took interviews for qualitative research. Based on interviewed with organizers, experts and scholars, the author interviewed with them in depth and surveyed the local community. The comprehensive study of Zhongshan Creative Station “URS21” on community connectivity found out that urban regeneration promoters and executors of the consensus still have problems to face. For example, what truly policies effect and feedback of implementation project will reflect to residents. The author expects this study’s findings and recommendations to provide the relevant units for future urban regeneration resources and reference.
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