打石司傅劉英宏之研究

A Study on the Stone-carving Master of Liou, Ying-Hong.

謝宗佑(Tsung-Yu Hsieh)

指導教授 ： 林會承

國立臺北藝術大學/文化資源學院學術論文/建築與古蹟保存研究所/碩士(2010年)

https://doi.org/10.6835/TNUA.2010.00022

摘要

劉英宏，一位臺灣本地的打石司傅，西元1943年出生於臺北三峽鎮。西元1947年臺北縣三峽祖師廟進行最後一次重建，許多當時臺灣重要的打石司傅聚集於此，也因如此，劉英宏從小在耳濡目染之下，開始對打石雕刻有著濃厚之興趣。
劉英宏於西元1956年（十三歲）進入臺北縣三峽祖師廟學習打石技藝，同時也開啟了自己的打石生涯。劉英宏的打石技藝受到臺灣許多著名的打石司傅之影響，其師承對象主要為施天福及簡志仲兩位打石司傅，在打石生涯中亦曾跟隨著張木成與蔣馨之外孫張清玉等打石司傅至臺灣各地許多廟宇參與打石雕刻。西元1968年以前，劉英宏主要跟隨施天福與張木成等打石司傅參與了臺南縣市與臺北縣市的廟宇石雕，其尚有彰化縣、嘉義縣與屏東縣的少數廟宇。
劉英宏於西元1968年（二十三歲）開始承攬廟宇石雕工程，其所參與的廟宇主要以臺灣北部為主，主要廟宇包含了臺北縣三峽祖師廟、臺北永和保福宮、臺北市行天宮、臺南市灣裡萬年殿、宜蘭縣大里草嶺慶雲宮、臺北縣大溪福仁宮、宜蘭縣九龍山玉清宮、臺北縣中和枋寮福德宮、桃園縣八德市指玄宮、臺北市內湖碧山巖開漳聖王廟等三十三間廟宇，而臺北市元智紀念館之石雕工程則為劉英宏所參與之唯一非廟宇的石作雕刻。劉英宏於西元1988年呈現完全退休之狀態，其長達三十多年的打石生涯中見證了臺灣從二次戰後至西元1980年打石產業的興衰史。
本論文試著透過打石司傅劉英宏的生平事蹟、作品分佈、作品風格與石作題材運用等議題切入，進而建構劉英宏司傅之生命史，以了解劉英宏在臺灣打石司傅中的定位，及臺灣於太平洋戰爭後的打石產業之時空背景。

關鍵字

劉英宏 ； 打石司傅 ； 石雕 ； 打石產業

並列摘要

Liou, Ying-Hong, a Taiwanese native stone-carving master, was born in 1943 in Sanshia Township of Taipei County. It was in 1947 when Sanshia Master Temple in Taipei County was undergoing restoration for the last time and many major Taiwanese stone-carving masters at the time were gathering on the scene that Liou, Ying-Hong had the chance to see and hear about stone-carving since young and started to be fascinated by the skill.
In 1956 when Liou, Ying-Hong was 13 years old, he entered Sanshia Master Temple in Taipei County to learn stone-carving and thus opened up his future career. His craftsmanship was much influenced by many well-known stone-carving masters in Taiwan, mostly from two masters, Shih Tian-fu and Chian Zhi-chong from whom he inherited the skills. During his professional career, he also followed stone-carving masters such as Chang Mu-cheng and Chang Ching-yu, the grandchild of Mr. Chiang Hsing to participate in many stone-carving projects in temples across the island. Before 1968, Liou, Ying-Hong mainly followed masters Shih Tian-fu and Chang Mu-cheng to participate in stone-carving in temples in Tainan City and Tainan County, and Taipei City and Taipei County. There were also projects of small number of temples located in Changhwa County, Chiayi County and Pingtung County.
Starting from 1968, Liou, Ying-Hong(23 years old at the time) engaged himself in temple’s stone-carving construction projects. His territory is mainly in northern Taiwan with a total of 33 temples including Sanshia Master Temple of Taipei County, Baofu Temple in Yonghe City of Taipei County, Hsingtien Temple of Taipei City, Wanli Wannian Temple of Tainan City, Dali Tiangong Temple of Yilan County, Dashi Furen Temple of Taipei County, Jiulong Mountain Yu Ching Temple of Yilan County, Fude Temple in Chonghe City of Taipei County, Zhi Shuan Temple in Bade City of Taoyuan County, and KaiChang ShenWang Temple in Neihu District of Taipei City. Yuan Ze Memorial Hall located in Taipei City is the only one non-temple stone-carving construction project that Liu Ying-hong took part in. In 1988, Liou, Ying-Hong was fully retired. His more than 30-year long stone-carving career allowed him to witness the entire history of the stone-carving industry in Taiwan from post Pacific War till the 1980s.
This paper tries to establish the life history of master Liou, Ying-Hong through his personal history, the distribution and style of his artworks, and his manipulation of stones in various subject matters so as to understand his position as a stone-carving master in Taiwan and the historical background of Taiwan’s stone-carving industry after the Pacific War.

並列關鍵字

Liou, Ying-Hong ； stone-carving master ； stone-carving ； stone-carving industry

參考文獻

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