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  • 學位論文

表演藝術跨城市合作創作之經驗探討

An Inquiry on the Experience of Cross-city Cooperation in Performing Arts

指導教授 : 黃蘭貴

摘要


公部門補助表藝術國際交流計畫大多以表演團隊帶著現成作品出國展演及邀請國際團隊來台演出為主,僅有少數比例計畫為透過跨城市交流進行合作創作。現有表演藝術跨城市交流相關文獻大多為作品評論與藝術家創作概念論述,卻少見對藝術家與藝術行政者參與跨城市交流的經及所受影響深入探討。為何補助計畫僅有少數比例為跨城市合作創作形式交流?跨城市合作創作對藝術家產生什麼影響?藝術行政者又如何居中促成交流的運作?跨城市合作創作形式與非合作創作形式的交流產生的效益又有何差異?基於對表演藝術跨城市合作創作的諸多疑問,本研究以曾參與表演藝術跨城市合作創作計畫的藝術家與藝術行政者為研究對象,總計訪談18位參與者,分析其參與經驗,以瞭解參與者在跨城市合作創作所獲得的效益與影響,檢視合作創作過程發生的現象,並分析所需條件與機制,同時亦探討藝術行政者在跨城市合作創作中所扮演的角色。 本研究分析資料後,首先闡述表演藝術跨城市合作創作對藝術家所產生的外在層次效益與內在層次影響。其次,透過呈現跨城市合作創作經常出現在製作面、藝術家個人及合作成員關係等三個層面的現象,進一步解析在此三個層面所需具備條件及應建立之機制。接下來,針對藝術行政者,呈現其於參與過程所獲得之成長,分析個人需具備條件與特質,並探討其在參與跨城市合作創作過程應扮演的角色。最後,詮釋總體環境與個體因素對跨城市合作創作發展與持續的影響。 綜合前述研究發現,本研究提出三點結論:(1)跨城市合作創作為藝術家能獲得較深層效益與影響的交流形式;(2)周全條件與機制能減少交流的負面現象並促成良好交流結果;(3)藝術行政者在跨城市合作創作計畫扮演改善條件與機制的重要角色。 藝術家透過跨城市合作創作以獲得藝術層面學習及個人成長與觀念改變,此即跨城市合作創作之價值所在,是藝術家彼此真正深入交流與相互學習之結果。表演藝術跨城市合作創作為實質達成藝術家創意與文化交流的國際文化交流形式。

並列摘要


The public sector’s programs to subsidize the international interflow usually focus on the projects of domestic groups exhibiting/performing abroad and international groups coming to perform in Taiwan; only a small proportion of these programs revolve around the cooperative creation through cross-city interflow. The existing documents on the cross-city interflow of performing arts are mostly critical works and discourses about the artists’ creative concepts, but the profound inquires on the artists and art administrators’ experience about cross-city interflow and the influence they receive are hardly seen. Why does cross-city interflow of cooperative creation only account for a small proportion of the subsidy programs? What impact does cross-city cooperative creation have on the artists? How do art administrators facilitate the workings of such interflow? How do the cross-city interflow of cooperative creation and the one of non-cooperative creation differ in their effects? Based on the many queries about the cross-city cooperative creation of performing arts, this research studies the artists and art administrators who have experience in the cross-city cooperative creation of performing arts, conducts interviews with totally eighteen participants of such cooperation and analyzes their experience. In this way, we hope to understand the effects and influence the participants receive through cross-city cooperative creation, examine the phenomena that occur during the process of the cooperative creation, analyze the required conditions and mechanisms as well as explore the role of the art administrators in cross-city cooperative creation. After analyzing the data, this research first explicates what external effects and internal impact does the cross-city cooperative creation of performing arts generate on the artists. Second, by presenting the phenomena that often happen to three of the aspects of cross-city cooperative creation--the production, the artists themselves and the cooperative members--this research further analyzes the necessary conditions and required mechanisms regarding these three aspects. Then, about the art administrators, we would show how they grow during their participation in the process, analyze the necessary personal conditions and qualities as well as explore the role they should play during their participation in the process of cross-city cooperative creation. Finally, the writer would interpret the influence of both the macro-environment and the micro-factors on the development and continuance of cross-city cooperative creation. Based on the aforementioned findings, this research puts forward three conclusions. First, cross-city cooperative creation is a form of interflow from which the artists can receive more profound effects and influence. Second, well-rounded conditions and mechanisms can diminish the negative phenomena of the interflow and contribute to positive results. Third, the art administrators play the important role of improving the conditions and mechanisms in the projects of cross-city cooperative creation. Through cross-city cooperative creation, the artists acquire artistic learning, personal growth and conceptual changes, which is both the value of cross-city cooperative creation and the consequence of the artists’ devotion to genuine interflow and mutual learning. The cross-city cooperative creation of performing arts is a form of international cultural interflow through which the communication of artists’ creativity and culture can be substantially achieved

參考文獻


李秋玫(2010,4月1日)。兩廳院新任董事長 郭為藩:我的任務就是「品質保證」。表演藝術,208,70。
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被引用紀錄


黃千凡(2008)。地區醫師人力分布與民眾西醫門診醫療服務利用之相關研究-以台灣地區十八歲以上成人為例〔碩士論文,亞洲大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0118-0807200916274894
黃堃儼(2011)。1980年後台灣打擊樂發展之研究〔博士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-0609201101255300
王嘉蔚(2011)。台灣表演藝術家國際駐村交流研究〔碩士論文,國立臺北藝術大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0014-1602201111200800

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