溫濕度對桐油彩繪的影響--以鹿港郭家工法為例

Effects of Temperature and Relative Humidity on Tung Oil-Painting -- Craft and Painting of Kuo's Working Methods in Effects of Temperature and Relative Humidity on Tung Oil-Painting -- Craft and Painting of Kuo's Working Methods in Lukang

童孟緹(Meng-T Tung)

指導教授 ： 江韶瑩

國立臺北藝術大學/文化資源學院/傳統藝術研究所工藝美術組/碩士(2006年)

摘要

彩繪表現和技法呈現了多元化面象，彩繪是一種用心思和雙手創造的工藝，
用於滿足人的視覺和心理願望，真實反映過往的生活寫照。伴隨著生活方式變
遷，帶來整個文明的轉型。工業化和都市化快速發展，使其原生架構下的文化形
態和方式都正在迅速消失。傳統工藝除了物件，更重要的是技藝本身，唯有加入
操作當下並透過作的過程，才能完整地表達傳統工藝的精神，因此，在此前題之
下探討過去的工序、工法、工料更顯得重要。本文將透過田野調查、訪談記錄、
史料文獻，統整鹿港郭家的背景予以考察分析，同時根據原始史料，重建當時彩
繪的做法，再針對工法加以試驗，並探討工法的差異影響及探究不同的溫濕度對
施作在木料上彩繪塗膜之影響。

關鍵字

溫濕度 ； 桐油漆 ； 鹿港郭氏家族 ； 彩繪技藝

並列摘要

The performance and the skill method of paintings presented diversified
phenomenon, paintings' culture is a kind of craft that uses brain to be created with the
hands. it's being used for the vision and mental expectation that satisfy the person;
the truereflection comes and goes of living portrayal. Accompany with the life style
change, bring the whole transformation of civilization. The industrialization and
urbanization of fast development make the cultural conformation and ways of original
mold disappear quickly. Except for article, traditional craft its technical skill is most
important．Only recover the environment of the operation and the process of the
manufacture can expressive the spirit of the traditional craft complete．Under the
above and study the traditional working process, and working methods and working
material is very important. This discourse will use field survey, interview the record,
documentation-collection to the background of the Kuos' working methods in Lukang
proceed investigation analytical．Additionally according to original historical data
rebuild the working methods that paintings at that time. Then aim at the difference
that the working methods estimative experiment to discuss the work method influence.
And discuss the different relative humidity and temperature influence to paint in the
timber.

並列關鍵字

Temperature ； Relative Humidity ； Tung Oil-Plant ； Paintings

參考文獻

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42.柳宗悅（1993）。《工藝美學》。台北市：地景企業股份有限公司。

台北市：中央研究院近代史研究所。

47.國立文化資產保存研究中心籌備處（2002）。《鹿港龍山寺八卦藻井彩繪保存

73.陳靜修（2005）。《台灣傳統建築彩繪塗料之研製》。臺中：中興森林所。