透過您的圖書館登入
IP:3.147.103.8
  • 學位論文

箝制與競技:地方戲劇比賽變遷的歷史解讀

Control and competition :The historical decipherment of the Changes of Traditional Theater

指導教授 : 林鶴宜

摘要


在文建會尚未成立之前,「舉辦地方戲劇比賽」一直是政府對待台灣的地方戲劇的主要、也是唯一的政策。自民國41年(1952)舉辦第一屆地方戲劇比賽起,直到民國88年(1999)停辦為止,總共辦理了將近五十個年頭。在民國82年(1993)參賽辦法解禁前,幾乎所有立案的台灣戲劇團體都必須依規定參加,最高記錄曾有六百多團參加各縣市舉辦的初賽,盛況空前,應該可以成為一項民間戲曲的嘉年華會,也該是一場大型的藝術競技,受到各界的矚目與重視,但事實不然,長久以來,比賽缺乏權威性,地方戲劇團體的不樂衷,使這項比賽成為一年一度的例行公事,僅提供各劇團是否辦理登記、是否繳納會費、人事異動等檢閱資料。雖然比賽的實質意義未能發揮作用,但是在形式上,也為「衝州撞府」、倍受政府忽視的地方戲劇團及工作人員,留下一份可資參考的「官方記錄」。另外,本文將透過對於比賽規定的觀察與解讀,爬梳出與台灣戲劇發展興衰的呼應,期望能填補上台灣戲劇史上的一處空白。

關鍵字

地方戲劇 歌仔戲 掌中戲 比賽 文化政策

並列摘要


Before the Council for Cultural Affairs(文化建設委員會) have established, "To hold traditional theater competition "(地方戲劇比賽) has been the main and only policy which was run by the government to traditional theater in Taiwan. From1952, the first time traditional theater competition launched, to the end in 1999 , the competitions have been held nearly 50 years. Before the deregulation of competitons rules in1993 , almost all registered Taiwanese traditional theater groups must attend by the rules. The highest record was more than 600 drama troupes attending the first competitons in different counties and reached the unprecedented grand occasion which should be deemed as a carnivals of traditional theater or a large art tournament and paid much attention and put emphasis by the public. But on the otherwise, for a long time, the competiton lacks of authority, and those traditional theater groups were not active to join, that made this competiton become annual routine business and only provide each drama troupe whether to carry out registry, whether to pay membership dues, and personnel change...etc.for data review. Although the substantial meaning of competiton can not be brought into effect , nominally, by way of those competitons leave a valuable and referable "authorities record" to those「mobile troupes」 and their staff members who were strongly ignored by the government. Besides, this research will observe and interpret the competiton rules and describe the rise and fall of Taiwanese drama development. Hope to fill out the blank of the history of Taiwan drama.

參考文獻


1979.7.27《台北市地方戲劇協會第五屆第三次會員代表大會手冊》
1975.7.21《台灣省地方戲劇協進會第十屆第三次會員大會手冊》
莊曙琪(2004),《從報紙廣告看戰後(1945-1949)台灣商業劇場的演劇生態》,台北:台灣大學戲劇所碩士論文。
林美璱(2007),《歌仔戲皇帝楊麗花》,台北:時報文化出版企業股份有限公司。
1974.5.10《台北市地方戲劇協會第四屆第一次會員代表大會手冊》

被引用紀錄


陳幼馨(2009)。臺灣歌仔戲「胡撇仔」表演藝術進程與階段性特質〔碩士論文,國立臺灣大學〕。華藝線上圖書館。https://doi.org/10.6342/NTU.2009.02970
林玉如(2007)。南投縣外偶、原民與一般學童生長發育及視力、牙齒健康狀態之比較研究〔碩士論文,亞洲大學〕。華藝線上圖書館。https://www.airitilibrary.com/Article/Detail?DocID=U0118-0807200916273096

延伸閱讀