遊走於記憶的空間

本論述主要由個人生活經驗的省思出發，透過繪畫來表達個人的感受，以期能與他人產生內在意識的共鳴。並希望透過對於繪畫意義的了解，進一步將自我的繪畫作品做一個分析與歸納，使觀者能更為明白個人創作的本質。藉此讓觀者能更貼近繪畫創作，而不是將繪畫創作視為一種神聖難以觸及的藝術領域。第一章為緒論。主要是述說個人在這段期間的創作動機與目的及創作內容與範圍，並從中延伸至當今繪畫的觀照及個人創作的思維。第二章則是談生活經驗的顯露。藉由追溯個人情感的來源，來釐清創作中所投射的情感語彙。並說明個人如何從生活中的體驗透過繪畫圖像的選擇，來表達個人情感。第三章續談我的創作語言。此章是對自我的創作脈絡與形式做一探討。第四章則就繪畫的構成來作說明。由個人的繪畫表現，作一個形式上的探討與研究，以作為自我創作的依據。

關鍵字

遊走於記憶的空間

並列摘要

The purpose of this thesis is to investigate the essence and meanings of my paintings. I transform my introspection in life into art creation, hoping my art creation can express myself and resonate with viewers. I analyze and generalize my paintings in an attempt to let viewers know better about my creation concept. By doing so, viewers can feel closer to my art creation, instead of viewing art creation as an inaccessible field. This thesis is divided into four chapters. Chapter one: Introduction. This chapter presents the motives, objectives, content and scope of my art creation, as well as the way how I get my inspiration and how I design my paintings. Chapter two: The revelation of life experience. By exploring myself, I try to clarify what kind of sentiment I project into my paintings. Via the choice of different images in my paintings, I also express different kinds of emotions. Chapter three: The language of my art creation. This part is to explore the context and style of my art creation. Chapter four: The formation of my paintings. This chapter discusses and researches into the forms of my paintings, hoping to find a guideline for my art creation.