台灣傳統磚雕研究

A Study of Traditional Brick Carving in Taiwan

王霈宇(Pei-Yu Wang)

指導教授 ： 江韶瑩

國立臺北藝術大學/文化資源學院學術論文/傳統藝術研究所/碩士(2010年)

摘要

溫潤古樸的磚紅飽滿了台灣百年的獨特建築特色，精緻典雅的磚雕裝飾淬練出工藝美學的內涵。台灣傳統磚雕多分布在民居、宗祠、書院及文廟建築當中，其中又以書院、孔廟最能彰顯出傳統文人的審美觀。
本研究經由遍及全台的田野調查，以現存傳統建築的磚雕為個案，蒐集相關文獻史料，輔以歷史人類學、美學、圖像學、符號學與象徵論，作為交叉分析與理論之運用。本論文主要以分析磚雕裝飾與內涵為目的，輔以磚雕工藝之工料、工具、工法，討論磚雕的製作年代、配置方位、形式、圖像分析、裝飾意涵及人文色彩，並探討傳統審美觀如何展現在傳統建築之中，具體地提出磚雕圖文裝飾與傳統文人社會的互動關係，闡釋磚雕工藝的價值與意義。
本論文透過台灣傳統磚雕的完整脈絡研究，建構台灣傳統磚雕發展史，希望國人透過了解磚雕背後的歷史傳統、社會情境和文化脈絡來增進其對磚雕的重視，而幫助傳統磚雕能重新獲得發展，重新運用、融合在現代社會中。

關鍵字

磚雕；工藝；人文美學

並列摘要

Brick, a unique material with many characteristics, has been used in the Taiwan's traditional architecture for over a hundred years. It has the quality of elegance, class and warmth. In the architecture, we often see the brick being carved into a decorative piece. Most of the traditional Taiwanese brick-craving artwork can be seen in people’s houses, Ancestral shrines, academy and the temples of Confucius. It is especially evident that the artwork in the academy and the Confucius's temples truly reveals the sense of beauty, knowledge and wisdom among the scholars in the old days.
From all the field studies I did to get the first-hand information throughout Taiwan traditional architecture. For the purpose of discussion, brick-carving materials, tools, techniques are not the focus of my studies. My analysis will be presented with the support of historical documents and cross-referenced by the Chinese iconic arts, graphic design, symbolism and cultural anthropology. The main discussion of this study is the production era of the brick carving art, the specific arrangement and placement of the art piece on the building, and the meaning of the symbols on the carved work. Most importantly, I would like to express how the traditional sense of beauty has reflected the society of the time; more specifically, how brick-carving iconic decorative artwork interlocks with the ancient scholars' society and as well as its cultural value and spirit.
To fully understand the traditional Taiwanese brick-carving art, future field studies need to conducted in the entire Taiwan, Peng-Hu, Jin-Men. I sincerely hope that with its rich background of history, geographical influence, and culture, the Taiwanese brick-carving tradition can regain its social recognition such that the preserved historical architecture can be, once again, rejuvanated and further developed and included in today's technologically advanced society.

並列關鍵字

Brick Carving；Craft； The Beauty of Literature

參考文獻

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　1987《臺灣古厝（一）社口林宅》，宏化文化事業股份有限公司。

　2004《物與物質文化》，中央研究院民族學研究所。

Edward Shils著，傅鏗、呂樂一譯