〈失焦〉系列—身體之於影像的探討

創作從2000年開始嘗試透過身體感知創作，渴望體現對於藝術回歸自身的期待，那往往是ㄧ種狀態、ㄧ個循環與一種生活的延伸，因此使用主體身體或與以延伸的身體片段為創作表達的媒介，創作內容關注主體身體與心理、環境、空間、社會等互為感知出的世界，從早期純以行動、表演的呈現方式延伸到近期將行動、表演較為隱藏在影像後面的方式，將影像本身作為最後表達陳述的媒介。在系列作品〈失焦〉中包括了主體意識層次的感知，以及無意識層次投射的部份，提出一個屬於本質、關乎於當代對於生命主體的失落存在感，卻以虛幻的凝視表達出存在的欲望。主體儼然像個陌生的旁觀者在幻想的鏡中端倪著、偷窺著與凝視著自己，偶而注視著另個不知名的自己，影像中載呈ㄧ種精神狀態、一種清晰的影像卻呈現其中失焦、脫序的狀態，欲切斷身體感知的存在、將身體知覺抽離、一種不存在感反卻加強了身體的具體證明，身體的真切存在感知更加劇，身體斷裂崩解著。期望藉由文字思考整理卻又必須避免過度脈絡的文學、哲學之書寫，能挖掘出更深層的知覺擴張及身體經驗，喚醒充滿焦慮的身體失落。

關鍵字

失焦；凝視；身體知覺；錄像中的行為藝術；媒體藝術

並列摘要

This creation started from the year 2000, using the feeling and senses of the body, awaiting the state where art can return back to the body. That is often a kind of special state, a cycle and an extension of life. Thus the use of the body as the theme, and pieces of an extended body as the media of the creative expression. The main content of the creation focuses on the body and the link between the senses of psychological, environment, time, sociological world, from the beginning where all is simply expresses with movement and performance then extending to the recent movements and performances that are hidden behind the image, to make the image the last media of expression. The creation of “Lost My Focus” includes the senses of the body’s consciousness level and the sub-conscious level projected out, which raises a kind of existence of disappointment of the essence and the modern views of the theme of life, however it is also as an illusion looking on, expressing the yearning of life. The theme looks like a stranger looking into the mirror of imagination, peeping and looking at itself, sometimes looking at another unknown self, the image expresses a kind of psychological state, a kind of clear image expresses the state of lost focus and an out of order state, but still cuts the existence of the bodily feeling, alienating the senses of the body, a kind of non-existing feeling enhancing the body’s proof of life, the real existence of the body becomes more intense, the body breaks into pieces. I hope to piece the thoughts into words but at the same time must avoid the writing of contenting of literature and philosophy to dig out the deeper senses and exaggerated bodily experience to awaken full anxiety of the disappointed body.