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  • 學位論文

台灣博物館公共性的邊界與突破-以賽德克.巴萊系列展示為例

Breaking The Boundaries of Taiwan Museums' Publicness: Case Studies of Seediq Bale Exhibition

指導教授 : 王嵩山

摘要


本論文以國立臺灣博物館、國立自然科學博物館、新北市立十三行博物館為研究主體,以 Habermas 公共領域與 Barrett 文化公共領域論述作為研究的理論架構,從歷史與文化的視角探究當代博物館與社會大眾之間關係的演變,探討博物館作為一個文化空間如何發揮其公共領域的功能,激盪觀眾對於社會議題進行思辨與討論,成為社會大眾彼此意見交流與溝通的重要場域。此外,以英國博物館協會所執行的「博物館改變人生」計劃作為參考案例,與筆者所分析賽德克.巴萊系列展的成果與困境作一對話,並作為台灣未來在擴展博物館公共性與民主化發展的參考取徑和策略。 接續,藉由研究的結果從 Habermas 單一公共領域的論述位移至強調多元差異的社群領域理論架構,重新審視博物館與社會大眾之間關係演變的歷程,揭露不同社會群體之間相互競爭的政治權力關係。提出尊重多元文化的理念有助於公共領域容納不同社會群體對於社會議題進行辯論與對話。 最後,以社群領域的視角,回顧與分析國內 11 座國立博物館從2000 年至 2014 年期間所製作的社會議題性展示,檢視台灣博物館實務領域中是否以博物館作為一個異質公共領域的實質公共文化空間為實踐的目標與方向,藉以探索台灣博物館公共性的邊界。

並列摘要


The thesis takes National Taiwan Museum, National Museum of Natural Science, and Shihsanhang Museum of Archaeology, New Taipei City as study subjects,and use Habermas’s theory of the public sphere and Barrett’s theory of cultural public sphere as the thesis’s theoretical framework, adopting culturalhistorical perspectives to explore the evolution of the relationship between contemporary museums and the public. Also, probing how museums as being physical cultural public spaces to practice the notion of public sphere in which to facilitate the public to debate ,communicate and reflect on social issues. Besides, the research took MA’s “Museums Change Lives” project as reference cases to provide a new and broader horizon for Taiwan’s museums in expanding its publicness and to practice the conception of democratic by cooperating with different communities. Furthermore, according to the results of the research that leading the thesis’s central theory from Habermas’s mono- public sphere to multi- public sphere which means community sphere. And made the research reexamine the relationship between museums and the public which exposing the complex and contested politic relationship between different social communities. It is significant and helpful to realize the importance of respecting cultural diversity because it’s not only extended the notion of Habermas’s public sphere also established a more equal, inclusive and democratic mode of public sphere that contributive for museum to practice the mission of social inclusion. For the further understanding the notion of community sphere and relationship between communities and museums that research took eleven Taiwan’s national museums as case studies to explore whether and how Taiwan’s museum practice the notion of public sphere.

參考文獻


朱紀蓉,2011。〈新自由主義與博物館的發展〉,博物館學季刊,25(2)5-17。
劉婉珍,2006。〈從博物館意識談博物館人的誕生與形塑〉,博物館學季刊,20
王嵩山,2006。〈博物館蒐藏的詩意與政治〉,博物館學季刊,20(2)。台中:自
王嵩山,2003。〈包容性的博物館實踐與文化權〉,博物館學季刊,17(3)。台中:   
  博物館學季刊,26(4)。台中:自然科學博物館。

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