《離家的女人》創作論述

《離家的女人》是關於一個女人離家出走尋找家的意義的故事。在這個創作論述中，我將針對影片的類型，主題以及風格這三大部份進行分析。在影片類型上，本論述將透過幾部經典的美國公路電影和歐洲公路電影與本片進行分析比較，討論公路電影在表現形式上和內在主題的共通性。在影片主題的部份，則以台灣社會面臨高齡化遭遇家庭照顧者人數逐年上升的社會問題進行討論，進一步說明我希望將社會問題導入影片的創作企圖。最後在影片風格上，本論述將從劇本、表演、攝影、燈光、聲音、剪輯等各個不同的表現面向來討論本片在寫實主義風格的思考與探索。

關鍵字

寫實主義；公路電影

並列摘要

No Way Home is about a woman leaving her own home in search of what “home” really means to her. In this critique essay, I will analyze the category, the subject, and the style of this film. In terms of film category, this essay will focus on the comparative analysis of a few classic American and European road movies, discussing the commonality of road movie’s form of expression and underlying themes. In terms of subject of this film, the discussion will be around Taiwan being an aging society where home care of the elderly has become an increasing challenge, as well as my attempt to integrate the social issues in the creation of the film. Lastly, in terms of style, the essay will discuss the thoughts and exploration of realism from the aspects of script, performance, cinematography, lighting, sound and editing of this film.