金履祥《濂洛風雅》所形塑的理學詩典範

The Model of Neo-Confucian poetry shaped by Lu-xiang Jin’s Lian-Luo-Fong-Ya

劉立葳(Liu, Li Wei)

指導教授 ： 楊儒賓

國立清華大學/人文社會學院/中國文學系/碩士(2015年)

摘要

金履祥的《濂洛風雅》是詩歌史上的第一部理學詩歌總集。此部書帶有濃厚的程朱理學色彩，所選錄的詩人及所遵循的思想以程朱學派為中心，是理學重道輕文觀念鬆動後的產物，也是理學進軍文學的重要標誌。《濂洛風雅》中所選詩歌足以作為程朱學派的理學詩歌代表，而這些詩作背後的理學類物系統與世界觀是理學共法，唯在工夫論的表現上《濂洛風雅》展現了極強的主敬與格物特色。本文試圖從理學的思想脈絡重新梳理理學類物系統是如何形成與運作，並以類應角度切入理學詩的討論，探討理學詩如何以其特有的類物體系而與傳統詩歌的傷春悲秋劃清界限，呈現生生不息的「仁」的世界。而被納入此套類物體系的聖賢與天地氣象，與理學的工夫論息息相關，程朱學派對於類應關係的證成工夫可分為兩個方面，一是主敬涵養，反映在《濂洛風雅》的選詩的銘、箴、戒等體例上；一是漸教的格物致知，《濂洛風雅》中的詠物詩都帶有格物的味道。理學詩的類物體系及工夫論是理學詩與非理學詩區別的重要特色，但這兩個特色只為理學內部所接受，雖然奠定了屬於理學的詩歌審美標準，但主流詩歌對理學詩的接受仍然有限。

關鍵字

濂洛風雅 ； 理學詩 ； 類應

並列摘要

Lu-xiang Jin’s Lian-Luo-Fong-Ya is the earliest anthology of Neo-Confucian poems in the history of Chinese poetry. This book is the result of the change of the relationship between “Tao” and writing in Neo-Confucianism. Its main idea tends to Cheng-Zhu school of Neo-Confucianism, and most poets selected in this book belong to this school. It is an important sign of the attempt to dominate the tendency of literature for the Neo-Confucianism. Poems selected in Lian-Luo-Fong-Ya are representatives for Neo-Confucian poetry. They share the same world view and categorical correspondence system of Neo-Confucianism, and show the distinguishing feature of the kong-fu of the Cheng-Zhu school.
This article is going to focus on how the system of categorical correspondence is formed and activate in Neo-Confucian thinking, and how it works with Neo-Confucian poems. Differing from the feature of grieving over the passing of spring or feeling sad with the advent of autumn in Chinese poetry, the world view in this system is an endless life circle, it makes these poems often show the poets’ gladness for the vivacious world. Besides, the sages and lively phenomena of the universe in this system are related to the kong-fu of Neo-Confucianism. The kong-fu of the Cheng-Zhu school in Lian-Luo-Fong-Ya can be divided to two parts: the first one is self-cultivation of "keeping reverence". It influences the genres of poems selected in this book, such as “Ming,” “Zhen,” and “Jie,” which are for warning oneself by admonitions. The second one is to study the underlying principle of everything to acquire knowledge, and this concept of kong-fu theory makes many Chinese ode poems become “ge-wu” poems in Lian-Luo-Fong-Ya.
The categorical correspondence system and the theory of kong-fu of Neo-Confucianism distinguish Neo-Confucian poems from the others. They form a new value of poetry for Neo-Confucianism, but the mainstream of Chinese literature doesn’t accept it.

並列關鍵字

Lian-Luo-Fong-Ya ； Neo-Confucian poetry ； categorical correspondence

參考文獻

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