老舊建築在時間的累積下,於現今的時空中存在著,空間在「過去」、「現在」的時間軸上改變著,而能於時間軸中找尋到一個定位,是對舊建築再利用的最好說明;在過去的理論中,這樣的定位標準都會著重於「建築量體」上,然而真正體驗空間的「使用者」卻常常忽略。在本研究中,作者試圖以一種新的思維去解讀再利用的建築,以使用者的感官經驗為切入點來詮釋它的時代意義、新舊之間的定位,不單單是探討「建物」本身的新舊轉化,而是使用者於再利用建築中,不同的感官認知與轉化(舊的記憶與新的認知上的延續與衝突),空間仍然存在於時間軸上,但是對於空間新與舊之間的解讀,不再只侷限於「建築物」本身,而是回歸到「人」的身上。 本研究首先回顧了舊建築再利用的相關文獻,而對於人的感官經驗的分析,透過閱讀以歸納分類,最後進行質化的大量分析,進行實地觀察與訪談,在20號倉庫、八卦窯餐廳、豬舍茶亭三個案例中,分析出使用者於空間的感官經驗,在過去與現在的比較分析。不管建築物是否被改變了,對於使用者而言,記憶與現實中的空間有所不同了,這是記憶(舊)與現實(新)兩者間的轉化,這種轉化是由使用者的感官經驗與認知所組成,它是對再利用建築的另一種詮釋,也是舊建築對時間軸上的不同定位。
With the accumulations of the time, the old buildings exist in today’s space-time continuum; the spaces alter from “The Past” to “The Present” on the time axis. The best notion for old buildings is to find an allocation on the time axis. From the past theories, the standards of orientations always focus on the solidity of the buildings rather than the users’ truly spatial experience. In this research, the author tries to interpret the reused buildings with a new thinking model. We make use of the users’sensual experiences to annotate the buildings’epochal meanings and find a position between past and present. We not only focus on the buildings’transformations between old and new, but also on the conversions and recognitions of users’different sensual experiences (the continuances and conflicts between old memories and new recognitions) of the old buildings. The spaces are still on the time axis; however, the interpretations between old and new are not limited to building itself but back to human being. First, we review the past literatures about the reused buildings, and analyze the humans sensual experiences by generalizing and categorizing form the readings. Then, we make lots of substances analyses and on-the-spot investigations. We analyze and make the comparisons of the users’ sensual experiences about the spaces that between past and present by three case studies- No 20 Storehouse, The Eight Diagrams Restaurant, and Hog House Tea Store. No matter the buildings have changed or not, in the users’ point of view, the spaces of memory are quite different from the spaces of reality. It is the transformation that composed of users sensual experiences and recognitions, a new annotation of reused buildings, and a new allocation for the old buildings on the time axis between memory (old) and reality (new).
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