「在地性」於公共藝術創作發展之探討─以新竹縣史料館公共藝術創作為例

本創作論文中，先就創作者本身於純藝術中的創作養成過程與創作的動機做一自我的檢視，再針對公共藝術的創作與純藝術創作中較自我的創作形式做個區別，以及公共藝術與人及環境的關係做個探討；另外，也將討論到公共藝術的創作中所謂的「在地性」與公共藝術作品之間的相關性。台灣目前的公共藝術大致的發展狀況，形式上是以雕塑居多，而全國公共藝術的設置，多年來也是以北部地區為多數的設置點，但近幾年已有些許的改變；其次，創作者將在此篇論文中，提出關於「公共藝術家」這個名詞的看法。創作者也專訪了兩位目前專職在從事公共藝術創作的藝術家，並對其個別的作品，與基地之間的關係，呈現出不同的「在地性」觀點的表現模式。最後就是本創作論文的主題創作之理念與設計的過程。本創作作品發想的最初是以新竹地區的自然與人文的特點為切入，將新竹地區給人的意象物：晶圓、柿子、茶花〈縣花〉、十三鄉鎮農特產古蹟…等等，做為創作中之「在地性」議題的發揮主題，藉此來強化新竹給人的城市意象。

關鍵字

公共藝術；在地性；公共藝術家

並列摘要

In this paper, the author exams herself on the development process and motivation in the fine art firstly, then differentiates the essence between the public art creation and the fine art creation, and also investigates the relationship among public art, people and the environment. Additionally, she also derives the relationship between the site-specific characteristics and some masterpieces in public art. Currently, the development of public art in Taiwan is mostly presented in the form of sculpture, and the majority of deployment is located in the North Taiwan though it has been changing in recent years. By the way, the author is also to depict her viewpoint to “Public Artist” in this paper. The author interviewed two artists who are fully devoted themselves into the creation of public art, and analyzed the difference of presentation between their pieces from the perspective of site-specific characteristics. In the last is the creation concept and design process of this paper topic. The motivation is initially derived by the specific nature and culture in Hsinchu area which impresses people with its IC wafer, persimmon, camellia (the flower of county) and the agriculture products and historical spots in its thirteen towns…etc, which strengthen the topic “Site-specific” and also emphasize the city image of Hsinchu to people.