時空．視域－「生命體驗」系列之繪畫創作研究

本論文以「時空．視域」為主題，是指從一個已受時空環境影響的個體，面對無法切割的過去，對存有的一種體驗與感知場域。「生命體驗」系列之繪畫作品基於此概念探討「記憶的沉思」到「生活世界下自我與時空存在的想法」。本文撰寫分五章，各章節摘要如下：第一章說明研究動機、目的、方法、架構、研究範圍與限制並在名詞釋義中詮釋創作主題「時空．視域」以及「生活世界」。第二章針對個人創作理念論述，探討與思辨近代美學觀點、格式塔心理學（Gestalt Psychology）、繪畫創作哲思等對個人繪畫創作的影響。第三章討論筆者創作內容與形式，主要創作的媒材與技巧。第四章作品說明與創作歷程分析並配合圖片說明，可以從本章理解筆者創作觀點及繪畫創作目的。第五章結論中檢討本次創作研究歷程並對未來創作方向的可能性作一說明。

關鍵字

生活世界；視域；完形；時空；存在；生命體驗

並列摘要

The thesis centers around “time, space, and visual fields,” discussing how an individual, influenced by different time and space and facing the inseparable past, experiences and senses his existence. The “life experiencing” series of works, based on this concept, focus on meditation on memory and reflection on how self, time, and space co-exist in the lifeworld. The thesis is divided into five chapters, and each chapter is summarized as follows: Chapter 1 explains research motivations, objectives, approaches, frameworks, scopes and limitations and interprets the creative topic “time, space, and visual fields” and the term “lifeworld” in phenomenology. Chapter 2 states personal ideas on creation, contemporary aesthetics, Gestalt Psychology, other philosophies related to artistic creation and their influences. Chapter 3 discusses the content and forms of the author’s creations, creative media and techniques. Chapter 4 presents artistic statements and analyses creation process, supplemented by photo illustrations. An understanding of the author’s artistic conceptions and intentions can be obtained from this chapter. Chapter 5 discusses the creation process and the future directions and possibilities in creation.