莫札特鋼琴奏鳴曲第一樂章之演奏詮釋

An Interpretation on the first Movements of Mozart's Piano Sonatas

劉忠欣(Jhong-Sin Liou)

指導教授 ： 賴麗君

國立臺灣師範大學/藝術學院/音樂學系/博士(2011年)

摘要

莫札特的鋼琴奏鳴曲為鋼琴家必備的曲目之一，其鍵盤音樂風格承襲自巴洛克時期，也反映當代之音樂風潮，但卻能樹立自己獨特之風格。時至今日，其影響所及仍不容忽視。本論文以鋼琴奏鳴曲的第一樂章為研究範圍，筆者將以演奏者的角度，就詮釋與演奏做深入之探討，試圖在主觀與客觀的論點中，勾勒出筆者心目中的莫札特，除以實際演奏 (performance practice) 為基礎之外，並以筆者主觀之音色想像做為詮釋之主軸，期盼此論文能有助讀者在演奏或教學上之啟發。

關鍵字

莫札特 ； 鋼琴奏鳴曲 ； 詮釋 ； 實際演奏

並列摘要

Mozart’s piano sonatas are essential for all pianists. His keyboard works which are influenced by Baroque music not only reflect the trends of the time but also show the composer’s unique style. This dissertation will focus on the first movements of his piano sonatas. The author, as a performer, will further discuss the performance practice and interpretation of Mozart’s music and make attempts to depict Mozart both subjectively and objectively. The main discussion of the interpretation will be the author’s own notion of the timbre and thus hopefully can be inspiring for performance and teaching.

並列關鍵字

Mozart ； piano sonata ； interpretation ； performance practice

參考文獻

鍾家瑋。〈莫札特鋼琴奏鳴曲中的管絃樂風格〉。《高雄師大學報》No. 22（六月，2007）：241-255。

Abraham, Gerald. The Mozart Companion. Edited by Howard Chandler Robbins Landon and Donald Mitchell. New York: Norton, 1969.

Mozar, Wolfgang Amadeus. Klaviersonaten Band 1. Edited by Wolfgang Plath & Wolfgang Rehm. Kassel: Bärenreiter, 2005.

Mozart, Wolfgang Amadeus. Klaviersonaten Band 2. Edited by Wolfgang Plath & Wolfgang Rehm. Kassel: Bärenreiter, 2005.

Blume, Friedrich. Classic and Romantic Music: A Comprehensive Survey. Translated by M. D. Herter Norton. New York: W. W. Norton & Company, 1970.