聽見臺灣味:陳明章臺語歌謠的創作歷程與特色

Study of the creative process and characteristics of Taiwanese ballades composed by Chen Ming-chang.

陳恒堅(CHEN HENG JIAN)

指導教授 ： 陳龍廷

國立臺灣師範大學/文學院/台灣文化及語言文學研究所/碩士(2012年)

摘要

陳明章具強烈地方色彩與豐富人文關懷的創作，在新臺語歌謠運動的浪潮中扮演了開啟與推動的角色。1987年解嚴，臺語歌曲進入1990年代，開始興起一波新臺語歌謠運動。回顧臺語歌曲的發展史，從1932年第一首臺語創作流行歌曲出現，1950年代臺語電影搭配臺語歌曲兩者互相拉台、相輔相成，直到1970年代臺語歌曲在獨尊華語的單一語言政策下校園民歌與西洋歌曲風行，臺語歌曲漸有了低層次歌曲的刻板印象。1980年代社會劇烈變動，臺語歌曲在被壓抑的時代背景下蓄勢待發。
本論文研究主題即是以陳明章臺語歌謠的創作歷程與特色為主。第一部份探討陳明章臺語歌謠的創作歷程，第二部份分析他臺語歌謠的特色。經由新臺語歌謠運動的洗禮、人生的歷練與來自土地的傳統音樂涵養，陳明章的創作形塑出再現老臺灣、環保意識、弱勢關懷與土地認同四個特色。
藉本論文的探析，確立陳明章在臺語歌謠發展史上的位置與價值。

關鍵字

臺語歌謠 ； 流行音樂 ； 月琴 ； 走唱 ； 認同

並列摘要

The creation is full of strong local color and rich humanistic care by Chen Ming-chang, plays the role of opening and promoting the wave of the movement of Taiwanese songs. With the lifting of martial law in 1987, Taiwanese songs stepped into the 1990’s with the rise of the movement of a wave of new Taiwanese songs.
The development of Taiwanese songs has changed throughout history. The first creative Taiwanese pop song appeared in 1932. During the 1950’s, Taiwanese films and songs complimented each other. Campus folk songs and Western songs were popular until the 1970’s. Taiwanese songs gradually got the stereotype of the low-level songs under the policy of the mono-language of Mandarin (Mandarin only). Because of dramatic social changes in the 1980’s, Taiwanese songs had waited for action after having accumulated power in the historical background.
The theme of this thesis mainly focuses on the creative process and the characteristics of the Taiwanese songs by Chen Ming-chang. The creative process of the Taiwanese songs by Chen Ming-chang will be explored in this paper. Characteristics of his Taiwanese songs will be analyzed and studied in the second part.
Through the immersion of the New Taiwanese Music movement, the experience of life and traditional music from the land connotation, creations of Chen Ming-chang shape four characteristics which are the reproduction of old Taiwan, environmental awareness, care of vulnerable and territorial identity.
The position and value of Chen Ming-chang in the history and the development of Taiwanese songs will be defined in the analysis of this paper.

並列關鍵字

Taiwanese ballades ； pop music ； Yueh-Chyn ； minstrel ； identity

參考文獻

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