台灣地區數位電影之現況與發展研究

The Current Situation and Development of Digital Movies in Taiwan

黃鈴翔(Huang, Ling Hsiang)

指導教授 ： 趙寧

國立臺灣師範大學/科技學院/圖文傳播學系/碩士(2002年)

摘要

資訊科技的進步帶動社會快速進展，並使傳播媒體產業邁向「數位大媒體匯流」的時代。隨著傳播媒體的數位化浪潮襲向電影產業，使電影的製作與傳輸可以藉由更便捷、快速的方式完成，在發行通路上，則得以透過不同的媒體形式呈現在閱聽大眾面前。
綜觀全球，第一部採用高解析度數位攝影機拍攝的數位電影《奪命解碼》，於二○○○年由法國導演皮妥夫(Pitof)開拍執導。其後，美國喬治盧卡斯(George Lucas)、德國溫德斯(Wenders)、臺灣王重正、朱延平、李祐寧等導演紛紛推出數位電影作品；而以數位投影機播映電影之數位電影院亦於全球各地陸續建置啟用。
由於，數位電影之發展正在起步階段，相關業者對其未來發展趨向仍有許多討論與爭議，且在學術方面，數位電影之相關研究寥寥可數；因此，本研究採用德菲法做為研究工具，透過專家之間，多回合的匿名溝通討論，深入探討數位電影之製作模式、特點，以及數位電影對電影產業可能有的影響，進而瞭望數位電影在臺灣地區之發展遠景。
本研究發現，數位電影之製作流程與傳統電影無異，但在前製、拍攝、後製、發行、映演、儲存、內容型式、影像品質、相關成本等方面，有其不同於傳統電影之特色。此外，數位電影之發展將不利於部份傳統電影業者之存續，並影響電影廳院放映設備之設置與其自製廣告之製播型態，對於創作者而言，數位電影之發展無異增加其創作型態、工具應用之選擇，整體而言，數位電影提供新型態之娛樂市場供業者開發。
至於數位電影在台灣地區之發展前景，其相關硬體勢將趨於成熟、建置成本亦將逐步調降，但其普及時程則因正值發展之初，且影響因素過多故難以精確預期；此外，其內容適於朝向大量特效或可與觀眾互動之形態發展，並可於傳統或數位電影院中映演；整體而言，數位電影需有業者積極投入參與，並獲得觀眾之支持，方能有較為樂觀之前景。

關鍵字

數位電影 ； 電影製作 ； 德菲法

並列摘要

The progress of information technology has driven the rapid social progress and helped communication and media industries work toward times of “Digital Mega-media Confluence”. Under the influence of digitalization of communication and media industries, the production of and transmission of movies can be completed through more convenient and quicker means. At the circulation outlets, it can also present to audiences in different forms of media.
In the world, the first digital movie that uses high definitive digital cameras is “Vidocq”, a movie directed by French director Pitof begun to produce in 2000. Later, many directors such as American George Lucas, German Wenders, Taiwanese Wang Chung-zheng, Chu Yen-ping and Lee You-ning presented their digital movies. In the meantime, the digital cinemas that use digital projectors to show movies also opened and operated one after another around the world.
Because the development of digital movies is in the starting stage, the related operators still have much discussion and argument on the trend of future development. Besides, there are few researches on digital movies. Therefore, the research adopted Delphi Method as method of research. Through several rounds of anonymous communications and discussions among experts, the production models, characteristics, potential impacts of digital movies on movie industry and further prospect of future development of digital movies in Taiwan have been deeply explored.
The results of research found that the production process of digital movies has no difference from that of traditional movies, but there were different characteristics in pre-production, movie shooting, post- production, film releasing, presenting, storage, types of contents, quality of images and related cost. Besides, the development of digital movies will not be favorable to the survival of some traditional operators and certainly have impacts on setting up of equipments in cinema and types of production and presenting of self-made advertisement. For producers or writers, the development of digital movies is amount to increase their options of types of production and application of means. On the whole, digital movies provide new type of entertainment markets for operators to develop.
Regarding the prospect of development of digital movies in Taiwan, the related hardwares will more matured, the cost of setting up will gradually lower. But because digital movies are still in the beginning of development and there are too many factors of influence, it is difficult to predict exactly the schedule of popularity. Besides, the contents of digital movies fit the development toward the types of a large quantity of special effects and interaction with viewers. It can also present in traditional and digital cinemas. On the whole, digital movie industry needs operators’ active input and participation and support from viewers to have a bright future.

並列關鍵字

Digital Movies ； Movie Production ； Delphi Method

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