隨著1980年代後工業化及全球化浪潮,文化創意產業成為都市研究很熱門的範疇。本研究主要以Liu & White之創新系統、專案理論以及鄰近性理論為分析基礎,討論分析台灣街舞創產業的發展現況與建構台北市街舞之創新系統。本研究之內容包括產業創新理論、專案理論與鄰近性等文獻的討論與分析、台灣街舞產業的發展脈絡與產業網絡分析、台北市街舞創作系統與空間分析,以及台北市街舞工作室專案活動的研究分析。在分析分法與研究資料上,本論文以台北市三大街舞工作室之一的TBC所舉辦之2007 B.O.T.Y.世界街舞大賽為例,以個案研究的方式,進行資料的蒐集與深入訪談。本研究的最後結論指出,台灣街舞的空間規劃政策意涵,應該厚植創作核心網絡的創作能量、進行其他產業網絡的提升與人才的培育,以及結合都市觀光,打造國際層次舞台,以增加全球化時代中,都市競爭的優勢。
Within the wave of the post-industrialization and globalization in 1980’s, the cultural and creative industries have become a popular category of urban researches. The thesis primarily uses the concept of Liu and White’s innovation system、the project theory and the proximity to analyze current developments of Taiwan Hip Hop dance and construct the creative system of Taipei Hip Hop dance. The thesis includes the discussion and the analysis of the industry innovation theory、project theory and proximity、the context and the industrial network of Taiwan Hip Hop dance、Taipei Hip Hop creative system and spatial analysis, and a case study. For research purpose, 2007 B.O.T.Y. world Hip Hop competition which was hold by one of the top 3 dance school in Taipei, TBC, is chosen. The case study is proceeded by data search and collect and depth interview. It is suggested that the policy meaning of spatial planning for Taiwan Hip Hop dance should reinforce the creative network first. Second, it should promote other stage of industrial networks and incubate talent. Finally, it should integrate with urban tourism and set up an international stage, in order to increase the advantage of urban competition in the global era.
為了持續優化網站功能與使用者體驗,本網站將Cookies分析技術用於網站營運、分析和個人化服務之目的。
若您繼續瀏覽本網站,即表示您同意本網站使用Cookies。