福音歌仔戲及其創新價值

Gospel Taiwanese Opera and Its Innovative Value

邱日仲(Jih-Chung Chiu)

指導教授 ： 林美容

國立臺北大學/人文學院/民俗藝術研究所/碩士(2010年)

摘要

歌仔戲在百年來的發展過程當中，經歷過一段輝煌的流金歲月，然而，社會快速變遷，社會型態與生活模式都不同於以往，歌仔戲正面臨嚴峻的挑戰，演出場域逐漸消失，如不改變創新，勢必會完全沒落。
「台灣歌仔戲班劇團」於2002年12月，推出第一齣「福音歌仔戲」《桃花過渡》，使歌仔戲離開傳統表演場域，首度在教會開唱，走上一條不同於以往的道路，其間跨越8個年頭，共計演出44場，推出七齣不同型態的劇目，本文目的在透過對「福音歌仔戲」研究，探討台灣歌仔戲班劇團如何跨場域，呈現出不同的歌仔戲風貌。
本文主要從「福音歌仔戲」的發展過程切入，以及奇特有的演出形式與劇目探究，發現要跨場域走入教會，勢必在劇目內涵上，先建構出以「愛」、「和平」、「寬恕」、「公義」的戲劇思維，同時
「台灣歌仔戲班劇團」更在音樂方面勇於創新嘗試，結果不只是讓劇團根基穩固，開創出新的表演場域之外，也使教會得以透過歌仔戲媒介，獲得與當地居民溝通的平台。
「台灣歌仔戲班」創新的經驗，證明了歌仔戲在進入不同表演場域時，只要做出適當的調整，依然
能夠展現出歌仔戲的獨特藝術魅力。

關鍵字

福音戲 ； 歌仔戲 ； 路得記 ； 逃城 ； 文化資產

並列摘要

Taiwanese Opera has experienced a time during the 100-year development. However, with the fast changing of the society, both the social form and the life mode are different from the past. Taiwanese Opera is confronted with tough challenges and the performing environments gradually disappeared. It will undoubtedly meet thorough decline if without any change or innovation.
In December, 2002, "Taiwanese Opera Troupe" launched the first Gospel Taiwanese Opera--Taohua Crossing the Rever. It was the first time that Taiwanese Opera left the traditional performing environment and was shown in the church, developing to an orientation different from the past. During 8 years, 7 operas with different types were launched and shown totally 44 times. This paper is aiming to discuss how the Taiwanese Opera Troupe presents the different styles and features of the opera crossing the performing environments through the study on the Gospel Taiwanese Opera.
The paper starts from the development process of the Gospel Taiwanese Opera and explores its unique performance mode and opera content. It's found that in order to cross the performing environments and enter the church, the first step is to establish the thoughts of love, peace, forgiveness and justice for the opera connotation. Meanwhile, Taiwanese Opera Troupe is bold in making innovations on the music, which not only provides the troupe with sound foundation and new performing environment, but also gives the church a platform to communicate with local residents through Taiwanese Opera.
The innovative experience of the Taiwanese Opera Troupe has proven that Taiwanese Opera can still show its unique artistic charm with proper adjustment in a different performing environment.

並列關鍵字

Gospel Opera ； Taiwanese Opera ； Ruth ； City of Refuge ； Cultural Assets

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